Repeat this exercise, throwing the humming sound into the nose.  Hold the upper part of the nose between the thumb and forefinger.  Can you feel the nose vibrate?

Placing the palm of your hand on top of your head, repeat this humming exercise.  Think the voice there as you hum in head tones.  Can you feel the vibration there?

Now place the palm of your hand on the back of your head, repeating the foregoing process.  Then try it on the chest.  Always remember to think your tone where you desire to feel the vibrations.  The mere act of thinking about any portion of your body will tend to make it vibrate.

Repeat the following, after a deep inhalation, endeavoring to feel all portions of your body vibrate at the same time.  When you have attained this you will find that it is a pleasant sensation.

    What ho, my jovial mates.  Come on!  We will frolic it like
    fairies, frisking in the merry moonshine.

Purity of Voice

This quality is sometimes destroyed by wasting the breath.  Carefully control the breath, using only as much as is necessary for the production of tone.  Utilize all that you give out.  Failure to do this results in a breathy tone.  Take in breath like a prodigal; in speaking, give it out like a miser.

Voice Suggestions

Never attempt to force your voice when hoarse.

Do not drink cold water when speaking.  The sudden shock to the heated organs of speech will injure the voice.

Avoid pitching your voice too high—­it will make it raspy.  This is a common fault.  When you find your voice in too high a range, lower it.  Do not wait until you get to the platform to try this.  Practise it in your daily conversation.  Repeat the alphabet, beginning A on the lowest scale possible and going up a note on each succeeding letter, for the development of range.  A wide range will give you facility in making numerous changes of pitch.

Do not form the habit of listening to your voice when speaking.  You will need your brain to think of what you are saying—­reserve your observation for private practise.

QUESTIONS AND EXERCISES

1.  What are the prime requisites for good voice?

2.  Tell why each one is necessary for good voice production.

3.  Give some exercises for development of these conditions.

4.  Why is range of voice desirable?

5.  Tell how range of voice may be cultivated.

6.  How much daily practise do you consider necessary for the proper development of your voice?

7.  How can resonance and carrying power be developed?

8.  What are your voice faults?

9.  How are you trying to correct them?

CHAPTER XIII

VOICE CHARM

    A cheerful temper joined with innocence will make beauty
    attractive, knowledge delightful, and wit good-natured.