1.  Pause Enables the Mind of the Speaker to Gather His Forces Before Delivering the Final Volley

It is often dangerous to rush into battle without pausing for preparation or waiting for recruits.  Consider Custer’s massacre as an instance.

You can light a match by holding it beneath a lens and concentrating the sun’s rays.  You would not expect the match to flame if you jerked the lens back and forth quickly.  Pause, and the lens gathers the heat.  Your thoughts will not set fire to the minds of your hearers unless you pause to gather the force that comes by a second or two of concentration.  Maple trees and gas wells are rarely tapped continually; when a stronger flow is wanted, a pause is made, nature has time to gather her reserve forces, and when the tree or the well is reopened, a stronger flow is the result.

Use the same common sense with your mind.  If you would make a thought particularly effective, pause just before its utterance, concentrate your mind-energies, and then give it expression with renewed vigor.  Carlyle was right:  “Speak not, I passionately entreat thee, till thy thought has silently matured itself.  Out of silence comes thy strength.  Speech is silvern, Silence is golden; Speech is human, Silence is divine.”

Silence has been called the father of speech.  It should be.  Too many of our public speeches have no fathers.  They ramble along without pause or break.  Like Tennyson’s brook, they run on forever.  Listen to little children, the policeman on the corner, the family conversation around the table, and see how many pauses they naturally use, for they are unconscious of effects.  When we get before an audience, we throw most of our natural methods of expression to the wind, and strive after artificial effects.  Get back to the methods of nature—­and pause.

2.  Pause Prepares the Mind of the Auditor to Receive Your Message

Herbert Spencer said that all the universe is in motion.  So it is—­and all perfect motion is rhythm.  Part of rhythm is rest.  Rest follows activity all through nature.  Instances:  day and night; spring—­summer—­autumn—­winter; a period of rest between breaths; an instant of complete rest between heart beats.  Pause, and give the attention-powers of your audience a rest.  What you say after such a silence will then have a great deal more effect.

When your country cousins come to town, the noise of a passing car will awaken them, though it seldom affects a seasoned city dweller.  By the continual passing of cars his attention-power has become deadened.  In one who visits the city but seldom, attention-value is insistent.  To him the noise comes after a long pause; hence its power.  To you, dweller in the city, there is no pause; hence the low attention-value.  After riding on a train several hours you will become so accustomed to its roar that it will lose its attention-value, unless the train should stop for a while and start again.  If you attempt to listen to a clock-tick that is so far away that you can barely hear it, you will find that at times you are unable to distinguish it, but in a few moments the sound becomes distinct again.  Your mind will pause for rest whether you desire it to do so or not.