The Art of Public Speaking eBook

Stephen Lucas
This eBook from the Gutenberg Project consists of approximately 590 pages of information about The Art of Public Speaking.

The Art of Public Speaking eBook

Stephen Lucas
This eBook from the Gutenberg Project consists of approximately 590 pages of information about The Art of Public Speaking.
were swarming in the sky—­got the family around him, and, taking the old Bible from the table, called them to their knees, the little baby hiding in the folds of its mother’s dress, while he closed the record of that simple day by calling down God’s benediction on that family and that home.  And while I gazed, the vision of that marble Capitol faded.  Forgotten were its treasures and its majesty and I said, “Oh, surely here in the homes of the people are lodged at last the strength and the responsibility of this government, the hope and the promise of this republic.”

    —­HENRY W. GRADY.

    SUGGESTIVE SCENES

One thing in life calls for another; there is a fitness in events and places.  The sight of a pleasant arbor puts it in our mind to sit there.  One place suggests work, another idleness, a third early rising and long rambles in the dew.  The effect of night, of any flowing water, of lighted cities, of the peep of day, of ships, of the open ocean, calls up in the mind an army of anonymous desires and pleasures.  Something, we feel, should happen; we know not what, yet we proceed in quest of it.  And many of the happiest hours in life fleet by us in this vain attendance on the genius of the place and moment.  It is thus that tracts of young fir, and low rocks that reach into deep soundings, particularly delight and torture me.  Something must have happened in such places, and perhaps ages back, to members of my race; and when I was a child I tried to invent appropriate games for them, as I still try, just as vainly, to fit them with the proper story.  Some places speak distinctly.  Certain dank gardens cry aloud for a murder; certain old houses demand to be haunted; certain coasts are set aside for shipwreck.  Other spots again seem to abide their destiny, suggestive and impenetrable, “miching mallecho.”  The inn at Burford Bridge, with its arbours and green garden and silent, eddying river—­though it is known already as the place where Keats wrote some of his Endymion and Nelson parted from his Emma—­still seems to wait the coming of the appropriate legend.  Within these ivied walls, behind these old green shutters, some further business smoulders, waiting for its hour.  The old Hawes Inn at the Queen’s ferry makes a similar call upon my fancy.  There it stands, apart from the town, beside the pier, in a climate of its own, half inland, half marine—­in front, the ferry bubbling with the tide and the guard-ship swinging to her anchor; behind, the old garden with the trees.  Americans seek it already for the sake of Lovel and Oldbuck, who dined there at the beginning of the Antiquary.  But you need not tell me—­that is not all; there is some story, unrecorded or not yet complete, which must express the meaning of that inn more fully....  I have lived both at the Hawes and Burford in a perpetual flutter, on the heel, as it seemed, of some adventure that should justify the place; but though the feeling had me to bed
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Project Gutenberg
The Art of Public Speaking from Project Gutenberg. Public domain.