“Why, what the d——l, d——d sort of fist is this you’ve given me, you bird of blackness! where got you this vile scrawl?—faugh! you’ve had it in your jaws, you raven, have you not?”
The terrified urchin retreated a few paces while answering the inquiry.
“No, mass lawyer—de pedler—da him gib um to me so. I bring um straight as he gib um.”
“The pedler! why, where is he?—what the devil can he have to write about?” was the universal exclamation.
“The pedler!” said the lawyer, and his sobriety grew strengthened at the thought of business; he called to the waiter and whispered in his ears—
“Hark ye, cuffee; go bring out the pedler’s horse, saddle him with my saddle which lies in the gallery, bring him to the tree, and, look ye, make no noise about it, you scoundrel, as you value your ears.”
Cuffee was gone on his mission—and the whole assembly aroused by the name of the pedler and the mysterious influence of the communication upon the lawyer, gathered, with inquiries of impatience, around him. Finding him slow, they clamored for the contents of the epistle, and the route of the writer—neither of which did he seem desirous to communicate. His evasions and unwillingness were all in vain, and he was at length compelled to undertake the perusal of the scrawl; a task he would most gladly have avoided in their presence. He was in doubt and fear. What could the pedler have to communicate, on paper, which might not have been left over for their interview? His mind was troubled, and, pushing the crowd away from immediately about him, he tore open the envelope and began the perusal—proceeding with a measured gait, the result as well of the “damned cramp hand” as of the still foggy intellect and unsettled vision of the reader. But as the characters and their