had ideas unlike those of other men, not gained from books, but of a higher tone—­a tranquil and familiar majesty, as if he had been talking with the angels as his daily friends.  Whether it were sage, statesman, or philanthropist, Ernest received these visitors with the gentle sincerity that had characterised him from boyhood, and spoke freely with them of whatever came uppermost, or lay deepest in his heart or their own.  While they talked together, his face would kindle, unawares, and shine upon them, as with a mild evening light.  Pensive with the fulness of such discourse, his guests took leave and went their way; and passing up the valley, paused to look at the Great Stone Face, imagining that they had seen its likeness in a human countenance, but could not remember where.

While Ernest had been growing up and growing old, a bountiful Providence had granted a new poet to this earth.  He, likewise, was a native of the valley, but had spent the greater part of his life at a distance from that romantic region, pouring out his sweet music amid the bustle and din of cities.  Often, however, did the mountains which had been familiar to him in his childhood, lift their snowy peaks into the clear atmosphere of his poetry.  Neither was the Great Stone Face forgotten, for the poet had celebrated it in an ode, which was grand enough to have been uttered by its own majestic lips.  This man of genius, we may say, had come down from heaven with wonderful endowments.  If he sang of a mountain, the eyes of all mankind beheld a mightier grandeur reposing on its breast, or soaring to its summit, than had before been seen there.  If his theme were a lovely lake, a celestial smile had now been thrown over it, to gleam forever on its surface.  If it were the vast old sea, even the deep immensity of its dread bosom seemed to swell the higher, as if moved by the emotions of the song.  Thus the world assumed another and a better aspect from the hour that the poet blessed it with his happy eyes.  The Creator had bestowed him, as the last best touch to his own handiwork.  Creation was not finished till the poet came to interpret, and so complete it.

The effect was no less high and beautiful, when his human brethren were the subject of his verse.  The man or woman, sordid with the common dust of life, who crossed his daily path, and the little child who played in it, were glorified if he beheld them in his mood of poetic faith.  He showed the golden links of the great chain that intertwined them with an angelic kindred; he brought out the hidden traits of a celestial birth that made them worthy of such kin.  Some, indeed, there were, who thought to show the soundness of their judgment by affirming that all the beauty and dignity of the natural world existed only in the poet’s fancy.  Let such men speak for themselves, who undoubtedly appear to have been spawned forth by Nature with a contemptuous bitterness; she having plastered them up out of her refuse stuff, after all the swine were made.  As respects all things else, the poet’s ideal was the truest truth.