“Oh, shelter me; save me; take care of me!” he prayed to the old fire-king, and forgot poor little man, that he had come on this wild-goose chase northward to save and take care of Hirschvogel!

After a time he dropped asleep, as children can do when they weep, and little robust hill-born boys most surely do, be they where they may.  It was not very cold in this lumber-room; it was tightly shut up, and very full of things, and at the back of it were the hot pipes of an adjacent house, where a great deal of fuel was burnt.  Moreover, August’s clothes were warm ones, and his blood was young.  So he was not cold, though Munich is terribly cold in the nights of December; and he slept on and on—­which was a comfort to him, for he forgot his woes, and his perils, and his hunger for a time.

Midnight was once more chiming from all the brazen tongues of the city when he awoke, and, all being still around him, ventured to put his head out of the brass door of the stove to see why such a strange bright light was round him.

It was a very strange and brilliant light indeed; and yet, what is perhaps still stranger, it did not frighten or amaze him, nor did what he saw alarm him either, and yet I think it would have done you or me.  For what he saw was nothing less than all the bric-a-brac in motion.

A big jug, an Apostel-Krug, of Kruessen, was solemnly dancing a minuet with a plump Faenza jar; a tall Dutch clock was going through a gavotte with a spindle-legged ancient chair; a very droll porcelain figure of Zitzenhausen was bowing to a very stiff soldier in terre cuite of Ulm; an old violin of Cremona was playing itself, and a queer little shrill plaintive music that thought itself merry came from a painted spinet covered with faded roses; some gilt Spanish leather had got up on the wall and laughed; a Dresden mirror was tripping about, crowned with flowers, and a Japanese bonze was riding along on a griffin; a slim Venetian rapier had come to blows with a stout Ferrara sabre, all about a little pale-faced chit of a damsel in white Nymphenburg china; and a portly Franconian pitcher in gres gris was calling aloud, “Oh, these Italians! always at feud!” But nobody listened to him at all.  A great number of little Dresden cups and saucers were all skipping and waltzing; the teapots, with their broad round faces, were spinning their own lids like teetotums; the high-backed gilded chairs were having a game of cards together; and a little Saxe poodle, with a blue ribbon at its throat, was running from one to another, whilst a yellow cat of Cornelis Zachtleven’s rode about on a Delft horse in blue pottery of 1489.  Meanwhile the brilliant light shed on the scene came from three silver candelabra, though they had no candles set up in them; and, what is the greatest miracle of all, August looked on at these mad freaks and felt no sensation of wonder!  He only, as he heard the violin and the spinet playing, felt an irresistible desire to dance too.