ignorance of the pilot. The vessel made a false tack between Hode
and Tancarville, and running upon a bank, was upset in an instant.
An English vessel once shared the same calamity. A thick fog suddenly
came on, when the sloop ran upon a bank near the Nez de Tancarville,
and the crew had just time to throw themselves into the boat and
escape destruction. The next morning, so sudden and so decisive was
the change wrought by the sand and current, that, of the sloop, there
remained, at ebb-tide, only ten feet of her mast visible! It appears
that the Quillebois, owing to their detached situation, and their
peculiar occupations, speak a very barbarous French. They have a sort
of sing-song method of pronunciation; and the g and j are
strangely perverted by them. Consult the memoir here referred to;
which occupies forty octavo pages: and which forms a sequel to a
previous communication (in 1810) “upon the Topography and Medical
properties of Quillebeuf and its adjacent parts.” The author is M.
Boismare. His exordium is a specimen of the very worst possible taste
in composition. One would suppose it to be a prelude to an account of
the discovery of another America!
[89] ["The Roman Circus (says M. Licquet) is now departmental
property.
Many excavations have already
taken place under the directions of
Mons. Le Baron de Vanssay,
the present Prefect of the Department. The
most happy results may be
anticipated. It was in a neighbouring
property that an ANTIQUE BRONZE
GILT STATUE, of the size of life, was
lately found,” vol.
i. 194. Of this statue, Mr. Samuel Woodburn, (with
that spirit of liberality
and love of art which have uniformly
characterised his purchases)
became the Owner. The sum advanced for it
was very considerable; but,
in one sense, Mr. W. may be said to have
stood as the Representative
of his country; for the French Government
declining to give the Proprietor
the sum which he asked, Mr. Woodburn
purchased it—solely
with the view of depositing it, on the same terms
of purchase, in a NATIONAL
GALLERY OF ART, of which the bequest of Mr.
Payne Knight’s ancient
bronzes and coins, and the purchase of Mr.
Angerstein’s pictures,
might be supposed to lay the foundation.
This statue was accordingly brought over to England, and freely exhibited to the curious admirers of ancient art. It is the figure of an APOLLO—the left arm, extended to hold the lyre, being mutilated. A portion of the limbs is also mutilated; but the torso, head and legs, are entire: and are, of their kind, of the highest class of art. Overtures were made for its purchase by government. The Trustees