It is right however that you should know, that, in the Tribunal for the determination of commercial causes, there sits a very respectable Bench of Judges: among whom I recognised one that had perfectly the figure, air, and countenance, of an Englishman. On enquiry of my guide, I found my supposition verified. He was an Englishman; but had been thirty years a resident in Rouen. The judicial costume is appropriate in every respect; but I could not help smiling, the other morning, upon meeting my friend the judge, standing before the door of his house, in the open street—with a hairy cap on—leisurely smoking his pipe—And wherein consisted the harm of such a delassement?
[61] [I apprehend this custom to be prevalent in fortified
towns:—as
Rouen formerly was—and
as I found such custom to obtain at the
present day, at Strasbourg.
Mons. Licquet says that the allusion to
the curfew—or couvre-feu—as
appears in the previous
edition—and which
the reader well knows was established by the
Conqueror with us—was
no particular badge of the slavery of the
English. It had been
previously established by William in NORMANDY.
Millot is referred to as the
authority.]
[62] the famous JEANNE D’ARC.] Goube,
in the second volume of his
Histoire du Duche de Normandie,
has devoted several spiritedly
written pages to an account
of the trial and execution of this
heroine. Her history
is pretty well known to the English—from
earliest youth. Goube
says that her mode of death had been completely
prejudged; for that, previously
to the sentence being passed, they
began to erect “a scaffold
of plaster, so raised, that the flames
could not at first reach her—and
she was in consequence consumed by a
slow fire: her tortures
being long and horrible.” Hume has been
rather
too brief: but he judiciously
observes that the conduct of the Duke of
Bedford “was equally
barbarous and dishonourable.” Indeed it
were
difficult to pronounce which
is entitled to the greatest
abhorrence—the
imbecility of Charles VII. the baseness of John of
Luxembourg, or the treachery
of the Regent Bedford?
The identical spot on which she suffered is not now visible, according to Millin; that place having been occupied by the late Marche des Veaux. It was however not half a stone’s throw from the site of the present statue. In the Antiquites Nationales of the last mentioned author (vol. iii. art. xxxvi.) there are three plates connected with the History of JOAN of ARC. The first plate represents the Porte Bouvreuil to the left, and the circular old tower to the right—in which latter Joan was confined, with some houses before it; the middle ground is a complete representation of the rubbishing