[170] The worthy historian of Falaise, quoted in a
preceding page, is
exceedingly anxious to make
us believe that there are portions of this
church—namely,
four stones—in the eastern and western gable
ends—which were
used in the consecration of it, by MATHILDA, the wife
of our first William.
Also, that, at the gable end of the south
transept, outside, an ancient
grotto,—in which the Gallic priests of
old purified themselves for
the mysteries of their religion—is now
converted into the sacristy,
or vestry, or robing room. But these are
surely mere antiquarian dreams.
The same author more sagaciously
informs us that the exact
period of the commencement of the building
of the nave, namely in 1438,
is yet attested by an existing
inscription, in gothic letters,
towards the chief door of entrance.
The inscription also testifies
that in the same year, “there reigned
DEATH, WAR, and FAMINE.”
The chancel of the choir, with the
principal doors of entrance,
&c. were constructed between the years
1520, and 1540. It may
be worth remarking that the stalls of the choir
were brought from the Abbey
of St. John—on the destruction of that
monastic establishment in
1729; and that, according to the Gallia
Christiana, vol. xi. p.
756, these stalls were carved at the desire
of Thomas II. de Mallebiche,
abbot of that establishment in 1506-1516.
In a double niche of the south
buttress are the statues of HERPIN and
his WIFE; rich citizens of
Falaise, who, by their wealth, greatly
contributed to the building
of the choir. (Their grandson, HERPIN
LACHENAYE, together with his
mistress were killed, side by side, in
fighting at one of the gates
of Falaise to repel the successful troops
of Henry IV.) The Chapel
of the Virgin, behind the choir, was
completed about the year 1631.
LANGEVIN, p. 81-128-131.
[171] We have of course nothing to do with the first
erection of a place of
worship at Guibray in the
VIIIth century. The story connected with the
earliest erection is this.
The faubourg of Guibray, distant about 900
paces from Falaise, was formerly
covered with chestnut and oak trees.
A sheep, scratching the earth,
as if by natural instinct (I quote the
words of M. Langevin the historian
of Falaise) indicated, by its
bleatings, that something
was beneath. The shepherd approached, and
hollowing out the earth with
his crook, discovered a statue of the
Virgin, with a child in its
arms. The first church, dedicated to the
Virgin, under the reign of
Charles Martel, called the Victorious, was
in consequence erected—on
this very spot—in the centre of this
widely spreading wood of chestnut
and oak. I hasten to the
construction of a second church,