friendly or adverse to me, lie hid within it.
There is an infinity of motives, passions, and ideas,
contained in that narrow compass, of which I know
nothing, and in which I have no share. Each individual
is a world to himself, governed by a thousand contradictory
and wayward impulses. I can, therefore, make
no inference from one individual to another; nor can
my habitual sentiments, with respect to any individual,
extend beyond himself to others. A crowd of
people presents a disjointed, confused, and unsatisfactory
appearance to the eye, because there is nothing to
connect the motley assemblage into one continuous or
general impression, unless when there is some common
object of interest to fix their attention, as in the
case of a full pit at the play-house. The same
principle will also account for that feeling of littleness,
vacuity, and perplexity, which a stranger feels on
entering the streets of a populous city. Every
individual he meets is a blow to his personal identity.
Every new face is a teazing, unanswered riddle.
He feels the same wearisome sensation in walking
from Oxford Street to Temple Bar, as a person would
do who should be compelled to read through the first
leaf of all the volumes in a library. But it
is otherwise with respect to nature. A flock
of sheep is not a contemptible, but a beautiful sight.
The greatest number and variety of physical objects
do not puzzle the will, or distract the attention,
but are massed together under one uniform and harmonious
feeling. The heart reposes in greater security
on the immensity of Nature’s works, “expatiates
freely there,” and finds elbow room and breathing
space. We are always at home with Nature.
There is neither hypocrisy, caprice, nor mental reservation
in her favours. Our intercourse with her is not
liable to accident or change, suspicion or disappointment:
she smiles on us still the same. A rose is always
sweet, a lily is always beautiful: we do not hate
the one, nor envy the other. If we have once
enjoyed the cool shade of a tree, and been lulled
into a deep repose by the sound of a brook running
at its foot, we are sure that wherever we can find
a shady stream, we can enjoy the same pleasure again;
so that when we imagine these objects, we can easily
form a mystic personification of the friendly power
that inhabits them, Dryad or Naiad, offering its cool
fountain or its tempting shade. Hence the origin
of the Grecian mythology. All objects of the
same kind being the same, not only in their appearance,
but in their practical uses, we habitually confound
them together under the same general idea; and whatever
fondness we may have conceived for one, is immediately
placed to the common account. The most opposite
kinds and remote trains of feeling gradually go to
enrich the same sentiment; and in our love of nature,
there is all the force of individual attachment, combined
with the most airy abstraction. It is this circumstance
which gives that refinement, expansion, and wild interest,
to feelings of this sort, when strongly excited, which
every one must have experienced who is a true lover
of nature.