PROLOGUE.
What flocks of critics hover here to-day,
As vultures wait on armies for their prey,
All gaping for the carcase of a play!
With croaking notes they bode some dire
event,
And follow dying poets by the scent.
Ours gives himself for gone; you’ve
watched your time:
He fights this day unarmed,—without
his rhyme;—
And brings a tale which often has been
told;
As sad as Dido’s; and almost as
old.
His hero, whom you wits his bully call,
Bates of his mettle, and scarce rants
at all:
He’s somewhat lewd; but a well-meaning
mind;
Weeps much; fights little; but is wond’rous
kind.
In short, a pattern, and companion fit,
For all the keeping tonies of the pit.
I could name more: a wife, and mistress
too;
Both (to be plain) too good for most of
you:
The wife well-natured, and the mistress
true.
Now, poets, if your fame has
been his care,
Allow him all the candour you can spare.
A brave man scorns to quarrel once a-day;
Like Hectors, in at every petty fray.
Let those find fault whose wit’s
so very small,
They’ve need to show that they can
think at all;
Errors, like straws, upon the surface
flow;
He who would search for pearls, must dive
below.
Fops may have leave to level all they
can;
As pigmies would be glad to lop a man.
Half-wits are fleas; so little and so
light,
We scarce could know they live, but that
they bite.
But, as the rich, when tired with daily
feasts,
For change, become their next poor tenant’s
guests;
Drink hearty draughts of ale from plain
brown bowls,
And snatch the homely rasher from the
coals:
So you, retiring from much better cheer,
For once, may venture to do penance here.
And since that plenteous autumn now is
past,
Whose grapes and peaches have indulged
your taste,
Take in good part, from our poor poet’s
board,
Such rivelled fruits as winter can afford.
DRAMATIS PERSONAE.
MARK ANTONY. VENTIDIUS, His General. DOLABELLA, his Friend. ALEXAS, the Queen’s Eunuch. SERAPION, Priest of Isis. MYRIS, another Priest. Servants to ANTONY.
CLEOPATRA, Queen of AEgypt.
OCTAVIA, ANTONY’S Wife.
CHARMION, } CLEOPATRA’S Maids.
IRAS, }
ANTONY’S two little Daughters.
SCENE.—Alexandria.
ALL FOR LOVE;
OR, THE
WORLD WELL LOST.
ACT I.
SCENE I.—The Temple of ISIS.
Enter SERAPION, MYRIS, Priests of ISIS.