shells. They vary in colour from the palest straw
to the deepest purple. Some of them are exceedingly
beautiful and valuable, and they are nearly all more
or less rare, being found chiefly in small fragments
of ancient pavements. Their substance is formed
of the shells of the common oyster in bluish gray and
black particles on a white ground, as in the Lumachella
d’ Egitto; of the cardium or cockle, assuming
a lighter or deeper shade of yellow, as in the Lumachella
d’ Astracane; of the ammonite, as in the L. Corno
d’ Ammone; of the Anomia ampulla in the L. occhio
di Pavone, so called from the circular form of the
fossils whichever way the section is made; of encrinites,
belemnites, and starfish, showing white or red on
a violet ground, as in the L. pavonazza; and “of
broken shells, hardly discernible, together with very
shining and saccharoid particles of carbonate of lime,”
as in the
Marmor Schiston of the ancients—the
brocatello antico of the Italians, so named
from its various shades of yellow and purple, resembling
silk brocade. The most important specimens of
Lumachella marbles are the pair of very fine large
columns of L. rosea on the ground-floor of the Schiarra
Palace, the balustrade of the high altar of St. Andrea
della Valle, two columns in the garden of the Corsini
Palace of L. d’ Astracane, and a pair of large
pillars which support one of the arches of the Vatican
Library, formed of L. occhio di pavone. Specimens
of brocatello may be found in several churches and
palaces, forming mouldings, sheathings, and pedestals.
The most interesting of the Lumachella marbles is
the bianca antica, the Marmor Megarense of
the ancients, composed of shells so small as to be
scarcely discernible, and so closely compacted that
the substance takes a good polish. The well-known
Column of Trajan—the first monument (columna
cochlaea) of this description ever raised in Rome,
and far superior to the Antonine Column—is
composed of Lumachella marble from Megara. It
presents, in twenty-three spiral bands of bas-reliefs,
winding round thirty-four blocks of stone, the history
of the victories of Trajan over the Dacians, and, without
reckoning horses, implements of war, and walls of cities,
is said to consist of no less than two thousand five
hundred figures, each about two feet two inches high.
It is a strikingly suggestive thought, that this majestic
pillar—which produced so deep an impression
upon the minds of posterity that, according to the
beautiful legend, Pope Gregory the Great was moved
to supplicate, by means of masses in several of the
Roman churches, for the liberation of him whom it
commemorated from purgatory—should be composed
of the relics of sea-shells.
“Memorial pillar! ’mid
the wreck of Time,
Preserve thy charge with confidence
sublime,”