Roman Mosaics eBook

Hugh Macmillan, Baron Macmillan
This eBook from the Gutenberg Project consists of approximately 484 pages of information about Roman Mosaics.

Roman Mosaics eBook

Hugh Macmillan, Baron Macmillan
This eBook from the Gutenberg Project consists of approximately 484 pages of information about Roman Mosaics.
received the name of Carystian stone, and was manufactured by the Romans into incombustible cloth for the preservation of the ashes of the dead in the process of cremation.  The asbestos occurs in the same quarries with this marble, just as this mineral is usually associated with talc schist, in which chlorite and mica are often present.  Strabo places the quarries of cipollino at Marmorium, a place upon the coast near Carystos; but Mr. Hawkins mentions in Walpole’s Travels that he found the ancient works upon Mount Oche at a distance of three miles from the sea, the place being indicated by some old half-worked columns, lying apparently on the spot where they had been quarried.  This marble is very peculiar, and is at once recognised by its gray-green ground colour and the streaks of darker green running through the calcareous substance like the coats of an onion, hence its name.  These streaks belong to a different mineral formation.  They are micaceous strata; and thus the true cipollino is a mixture of talcose schist with white saccharoidal marble, and may be said to form a transition link between marble and common stone.  It belongs to the Dolomitic group of rocks, which forms so large a part of the romantic scenery of South-Eastern Europe, and yields all over the world some of the best and most ornamental building-stones.  In this group calc-spar or dolomite wholly replaces the quartz and films of argillaceous matter, of which, especially in Scotland, micaceous schist is usually composed.  There are many varieties of cipollino, the most common being the typical marble, a gray-green stone, sometimes more or less white, with veins of a darker green, forming waves rippling over it like those of the sea.  It occurs so often among the ruins that it must have been perhaps more frequently used in Rome than any other marble.  It was also one of the first introduced, for Mamurra lined the walls of his house on the Coelian with it, as well as with Lunar marble, in the time of Julius Caesar; but Statius mentions that it was not very highly esteemed, especially in later times, when more valuable marbles came into use.

One remarkably fine variety called Cipollino marino is distinguished by its minute curling veins of light green on a ground of clear white.  Four very large columns in the Braccio Nuova of the Vatican, which may have belonged originally, like the two large columns of giallo antico in the same apartment, to some sumptuous tomb on the Appian Way, are formed of this variety, and are unique among all the other pillars of cipollino marble to be seen in Rome for the brightness of their colour and the exquisite beauty of their venation.  Nothing can be more striking and beautiful than the rich wavelike ripples of green on the cipollino marbles that encase the Baptistery of St. Mark’s in Venice, as if the breakers on the Lido shore had been frost-bound before they fell, and the sea-nymphs had sculptured them into the

Copyrights
Project Gutenberg
Roman Mosaics from Project Gutenberg. Public domain.