while a residence, more or less prolonged, in the
most famous towns, and among the most romantic scenes
of Italy, had widened his mental horizon and expanded
his sympathies. He had already mounted almost
to the highest step of the literary ladder. Nothing
could exceed the tokens of respect with which he was
everywhere received. But, in spite of all these
advantages, Tasso was now beginning to realise the
shadows that accompany even the most splendid literary
career. His own experience was now confirming
to him the truth of what his father had often sought
to impress upon his mind,—that the favour
of princes was capricious, and that a life of dependence
at a court was of all others the most unsatisfactory.
Constitutionally disposed to melancholy, irritable
and sensitive to the last degree, he brooded over the
fancied wrongs and slights which he had received; and
at first he was disposed to accept the advice of his
father’s friend, the well-known Sperone, who
strongly dissuaded him from going to the court of
Ferrara, painting the nature of the life he would lead
there in the most forbidding colours. It would
have been well had he listened to this wise counsel,
strengthened as it was by his own better judgment;
for in that case he might have been spared the mortifications
which made the whole of his after life one continued
martyrdom. But recovering from a protracted illness,
into which the agitation of his spirits threw him,
when on a visit to his father at the court of the
Duke of Mantua, he passed from the depths of despondency
to the opposite extreme of eagerness, and, fired by
ambition, he resolved to enter upon the path to distinction
which now opened before him. And here we come
to the crisis of his life.
In the fifteenth and sixteenth centuries a state of
things existed in Italy somewhat similar to that which
existed in the Highlands of Scotland in earlier times.
Each Highland chief maintained an independent court,
and among his personal retainers a bard who should
celebrate his deeds was considered indispensable.
So was it with the princes of Italy. In their
train was always found a man of letters whose poetic
Muse was dedicated to laureate duties, and was valued
in proportion as it recorded the triumphs of the protecting
court. For this patronage of art and letters
no court was more distinguished than that of Ferrara.
“Whoe’er in Italy
is known to fame,
This lordly home as frequent
guest can claim.”
The family of Este was the most ancient and illustrious
in Italy. The house of Brunswick, from which
our own royal family is descended, was a shoot from
this parent stock. It intermarried with the principal
reigning families of Europe. Leibnitz, Muratori,
and our own great historian, Gibbon, have traced the
lineage and chronicled the family incidents of this
ducal house. Lucrezia Borgia and the Parasina
of Byron were members of it. For several generations
the men and women were remarkable for the curious