Rome, Bernardo Tasso at last completed his
Amadigi;
while, captivated by his grace and intelligence, the
duke made Torquato the companion of his son, Francesco
Maria, in all his studies and amusements. For
two years father and son enjoyed in this place a grateful
repose from the buffetings of fortune. But, fired
by ambition, Bernardo left Pesaro for Venice, in order
to see his poem through the press of Aldus Manutius;
and being not only welcomed with open arms by his
literary friends in that city, but also appointed
secretary of the great Venetian Academy “Della
Fama,” with a handsome salary, he sent for his
son, took a house in a good situation, and resolved
to settle down in the place. There was much to
captivate the imagination of the youthful Torquato
in this wonderful city of the sea, then in the zenith
of its fame, surpassing all the capitals of transalpine
Europe in the extent of its commerce, in refinement
of manners, and in the cultivation of learning and
the arts. Its romantic situation, its weird history,
its splendid palaces, its silent water-ways, its stirring
commerce, its inspiring arts, must have kindled all
the enthusiasm of his nature. But he did not yield
himself up to the siren attractions of the place,
and muse in idleness upon its varied charms.
On the contrary, the time that he spent in Venice
was the busiest of his life. He was absorbed in
the study of Dante and Petrarch; and the results of
his devotion may still be seen in the numerous annotations
in his handwriting in the copies of these poets which
belonged to him, now preserved in the Vatican Library
in Rome and the Laurentian Library in Florence.
He was also employed by his father in transcribing
for the press considerable portions of his poetical
works; and these studies and exercises were of much
use to him in enabling him to form a graphic and elegant
literary style. His own compositions, both in
prose and verse, were by this time pretty numerous,
though nothing of his had found its way into print
as yet.
His father saw with much concern the development of
his son’s genius. Anxious to save him from
the trials which he himself had experienced in his
literary career, he sent him to the University of Padua
to study law, which he thought would be a surer provision
for his future life than a devotion to the Muses.
One great branch of law, that which relates to ecclesiastical
jurisprudence, has always been much esteemed in Italy,
and the study of it, in many instances, has paved the
way to high honours. Almost all the eminent poets
of Italy, Petrarch, Ariosto, Marino, Metastasio, spent
their earlier years in this pursuit; but, like Ovid
and our own Milton, their nature rebelled against
the bondage. They took greater pleasure in the
study of the laws for rhyme than in the study of the
Pandects of Justinian or the Decretals of Isidore.
It was so with Tasso. He attended faithfully the
lectures of Guido Panciroli, although these were not
compulsory, and waited patiently at the University