[Illustration:  PLATE 84]

Assyrian thrones and chairs were very elaborate.  The throne of Sennacherib exhibited on its sides and arms three rows of carved figures, one above another (PLATE LXXXIV.,Fig. 3), supporting the bars with their hands.  The bars, the arms, and the back were patterned.  The legs ended in a pine-shaped ornament very common in Assyrian furniture.  Over the back was thrown an embroidered cloth hinged at the end, which hung down nearly to the floor.  A throne of Sargon’s was adorned on its sides with three human figures, apparently representations of the king, below which was the war-horse of the monarch, caparisoned as for battle. [PLATE LXXXV., Fig. 1.] Another throne of the same monarch’s had two large and four small figures of men at the side, while the back was supported on either side by a human figure of superior dimensions.  The use of chairs with high backs, like these, was apparently confined to the monarchs.  Persons of less exalted rank were content to sit on seats which were either stools, or chairs with a low back level with the arms.

[Illustration:  PLATE 85]

Seats of this kind, whether thrones or chairs, were no doubt constructed mainly of wood.  The ornamental work may, however, have been of bronze, either cast into the necessary shape, or wrought into it by the hammer.  The animal heads at the ends of arms seem to have fallen under the latter description [PLATE LXXXV., Fig. 2.] In some cases, ivory was among the materials used:  it has been found in the legs of a throne at Koyunjik, and may not improbably have entered into the ornamentation of the best furniture very much more generally.

The couches which we find represented upon the sculptures are of a simple character.  The body is flat, not curved; the legs are commonly plain, and fastened to each other by a cross-bar, sometimes terminating in the favorite pine-shaped ornament.  One end only is raised, and this usually curves inward nearly in a semicircle. [PLATE LXXXV., Fig. 3.] The couches are decidedly lower than the Egyptian; and do not, like them, require a stool or steps in order to ascend them.

Stools, however, are used with the chairs or thrones of which mention was made above—­lofty seats, where such a support for the sitter’s feet was imperatively required. [PLATE LXXXV..  Fig. 4.] They are sometimes plain at the sides, and merely cut en chevron at the base; sometimes highly ornamented, terminating in lions’ feet supported on cones, in the same (or in volutes), supported on balls, and otherwise adorned with volutes, lion castings, and the like.  The most elaborate specimen is the stool (No.  III.) which supports the feet of Asshur-bani-pal’s queen on a relief brought from the North Palace at Koyunjik, and now in the National Collection.  Here the upper corners exhibit the favorite gradines, guarding and keeping in place an embroidered cushion; the legs are ornamented with rosettes and with horizontal mouldings, they are connected together by two bars, the lower one adorned with a number of double volutes, and the upper one with two lions standing back to back; the stool stands on balls, surmounted first by a double moulding, and then by volutes.