Nor must we omit to notice, if we would estimate aright the condition of Chaldaean art under this king, the indications furnished by his signet-cylinder. So far as we can judge from the representation, which is all that we possess of this relic, the drawing on the cylinder was as good and the engraving as well executed as any work of the kind, either of the Assyrian or of the later Babylonian period. Apart from the inscription this work of art has nothing about it that is rude or primitive. The elaboration of the dresses and headgear of the figures has been already noticed. It is also worthy of remark, that the principal figure sits on an ornamental throne or chair, of particularly tasteful construction, two legs of which appear to have been modelled after those of the bull or ox. We may conclude, without much danger of mistake, that in the time of the monarch who owned this seal, dresses of delicate fabric and elaborate pattern, and furniture of a recherche and elegant shape, were in use among the people over whom he exercised dominion.
The chief capital city of Urukh appears to have been Ur. He calls himself “King of Ur and Kingi Accad;” and it is at Ur that he raises his principal buildings. Ur, too, has furnished the great bulk of his inscriptions. Babylon was not yet a place of much importance, though it was probably built by Nimrod. The second city of the Empire was Huruk or Erech: other places of importance were Larsa (Ellasar?) and Nipur or Calneh.