A curious anomaly occurs in the declension of pronouns.’ When accompanied by the preposition kita, “with,” there is a tmesis of the preposition, and the pronouns are placed between its first and second syllable; e.g. vi, him’’-ki-ni-ta, “with him.” This takes place in every number and person, as the following scheme will show:—
1st person. 2d person. 3d person.
Sing. ki-mu-ta ki-zu-ta ki-ni-ta (with me) (with thee) (with him)
Plur. ki mi-ta ki zu-nini-ta ki-nini-ta (with us) (with you) (with them)
N. B.—The formation of the second person plural deserves attention. The word zu-nini is, clearly, composed of the two elements, zu, “thee,” and nini, “them”—so that instead of having a word for “you,” the Chaldaeans employed for it the periphrasis “thee-them”! There is, I believe, no known language which presents a parallel anomaly.
Such are the chief known features of this interesting but difficult form of speech. A specimen may now be given of the mode in which it was written. Among the earliests of the monuments hitherto discovered are a set of bricks bearing the following cuneiform inscription [PLATE VI., Fig. 3]:
This inscription is explained to mean:—“Beltis, his lady, has caused Urukh (?), the pious chief, King of Hur, and King of the land (?) of the Akkad, to build a temple to her.” In the same locality where it occurs, bricks are also found bearing evidently the same inscription, but written in a different manner. Instead of the wedge and arrow-head being the elements of the writing, the whole is formed by straight lines of almost uniform thickness, and the impression seems to have been made by a single stamp. [PLATE VII., Fig. 1.]
[Illustration: PLATE 7]
This mode of writing, which has been called without much reason “the hieratic,” and of which we have but a small number of instances, has confirmed a conjecture, originally suggested by the early cuneiform writing itself, that the characters were at first the pictures of objects. In some cases the pictorial representation is very plain and palpable.
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For instance, the “determinative” of a god—the sign that is, which marks that the name of a god is about to follow, in this early rectilinear writing is [—] an eight-rayed star. The archaic cuneiform keeps closely to this type, merely changing the lines into wedges, thus [—], while the later cuneiform first unites the oblique wedges in one [—] , and then omits them as unnecessary, retaining only the perpendicular and the horizontal ones [—] . Again, the character representing the word “hand”