clad in nothing but coarse vests because they would not wear the convict clothes, breathing the foul sewage-tainted air for all but that hour when they were carried up to the cell where the doctor and the wardresses waited to bind and gag them and ram the long feeding-tube down into their bodies.  This they had endured for six weeks, and would for six weeks more.  She spoke with a proud reticence as to her sufferings, about her recent sojourn in Holloway, from which she had gained release by hunger-striking a fortnight before.

“Ah, I could die for her!” cried Ellen to herself, wet-eyed with loyalty.  “If only it weren’t for mother I’d go to prison to-morrow.”  Her love could hardly bear it when Mrs. Ormiston went on, restrained rage freezing her words, to indict the conspiracy of men that had driven her and her followers to revolt:  the refusal to women of a generous education, of a living wage, of opportunities for professional distinction; the social habit of amused contempt at women’s doings; the meanness that used a woman’s capacity for mating and motherhood to bind her a slave either of the kitchen or of the streets.  All these things Ellen knew to be true, because she was poor and had had to drink life with the chill on, but it did not sadden her to have her reluctant views confirmed by the woman she thought the wisest in the world, for she felt an exaltation that she was afraid must make her eyes look wild.  It had always appeared to her that certain things which in the main were sombre, such as deep symphonies of an orchestra, the black range and white scaurs of the Pentland Hills against the south horizon, the idea that at death one dies utterly and is buried in the earth, were patterns cut from the stuff of reality.  They were relevant to fate, typical of life, in a way that gayer things, like the song of girls or the field-checked pleasantness of plains or the dream of a soul’s holiday in eternity, were not; And in the bitter eloquence of this pale woman she rapturously recognised that same authentic quality.

But what good was it if one woman had something of the dignity of nature and art?  Everybody knew that the world was beautiful.  She sent her mind out from the hall to walk in the night, which was not wet, yet had a bloom of rain in the air, so that the lights shone with a plumy beam and all roads seemed to run to a soft white cliff.  Above, the Castle Rock was invisible, but certainly cut strange beautiful shapes out of the mist; beneath it lay the Gardens, a moat of darkness, raising to the lighted street beyond terraces planted with rough autumn flowers that would now be close-curled balls curiously trimmed with dew, and grass that would make placid squelching noises under the feet; and at the end of the Gardens were the two Greek temples that held the town’s pictures—­the Tiepolo, which shows Pharaoh’s daughter walking in a fardingale of gold with the negro page to find a bambino Moses kicking in Venetian sunlight; the Raeburns, coarse and wholesome as a home-made loaf; the lent Whistler collection like a hive of butterflies.  And at the Music Hall Frederick Lamond was playing Beethoven.  How his strong hands would beat out the music!  Oh, as to the beauty of the world there was no question!