“Good Master Tressilian,” said the landlord, “I am but a poor innkeeper, little able to adjust or counsel such a guest as yourself. But as sure as I have risen decently above the world, by giving good measure and reasonable charges, I am an honest man; and as such, if I may not be able to assist you, I am, at least, not capable to abuse your confidence. Say away therefore, as confidently as if you spoke to your father; and thus far at least be certain, that my curiosity—for I will not deny that which belongs to my calling—is joined to a reasonable degree of discretion.”
“I doubt it not, mine host,” answered Tressilian; and while his auditor remained in anxious expectation, he meditated for an instant how he should commence his narrative. “My tale,” he at length said, “to be quite intelligible, must begin at some distance back. You have heard of the battle of Stoke, my good host, and perhaps of old Sir Roger Robsart, who, in that battle, valiantly took part with Henry VII., the Queen’s grandfather, and routed the Earl of Lincoln, Lord Geraldin and his wild Irish, and the Flemings whom the Duchess of Burgundy had sent over, in the quarrel of Lambert Simnel?”
“I remember both one and the other,” said Giles Gosling; “it is sung of a dozen times a week on my ale-bench below. Sir Roger Robsart of Devon—oh, ay, ’tis him of whom minstrels sing to this hour,—
’He was the flower
of Stoke’s red field,
When Martin Swart on
ground lay slain;
In raging rout he never
reel’d,
But like a rock did
firm remain.’
[This verse, or something
similar, occurs in a long ballad, or
poem, on Flodden Field,
reprinted by the late Henry Weber.]
“Ay, and then there was Martin Swart I have heard my grandfather talk of, and of the jolly Almains whom he commanded, with their slashed doublets and quaint hose, all frounced with ribands above the nether-stocks. Here’s a song goes of Martin Swart, too, an I had but memory for it:—
’Martin Swart
and his men,
Saddle them, saddle
them,
Martin Swart and his
men;
Saddle them well.’”
[This verse of an old
song actually occurs in an old play where
the singer boasts,
“Courteously I
can both counter and knack
Of Martin Swart and
all his merry men.”]
“True, good mine host—the day was long talked of; but if you sing so loud, you will awake more listeners than I care to commit my confidence unto.”
“I crave pardon, my worshipful guest,” said mine host, “I was oblivious. When an old song comes across us merry old knights of the spigot, it runs away with our discretion.”