The same accusation has been adopted and circulated by the author of Leicester’s Commonwealth, a satire written directly against the Earl of Leicester, which loaded him with the most horrid crimes, and, among the rest, with the murder of his first wife.  It was alluded to in the Yorkshire Tragedy, a play erroneously ascribed to Shakespeare, where a baker, who determines to destroy all his family, throws his wife downstairs, with this allusion to the supposed murder of Leicester’s lady,—­

     “The only way to charm a woman’s tongue
     Is, break her neck—­a politician did it.”

The reader will find I have borrowed several incidents as well as names from Ashmole, and the more early authorities; but my first acquaintance with the history was through the more pleasing medium of verse.  There is a period in youth when the mere power of numbers has a more strong effect on ear and imagination than in more advanced life.  At this season of immature taste, the author was greatly delighted with the poems of Mickle and Langhorne, poets who, though by no means deficient in the higher branches of their art, were eminent for their powers of verbal melody above most who have practised this department of poetry.  One of those pieces of Mickle, which the author was particularly pleased with, is a ballad, or rather a species of elegy, on the subject of Cumnor Hall, which, with others by the same author, was to be found in Evans’s Ancient Ballads (vol. iv., page 130), to which work Mickle made liberal contributions.  The first stanza especially had a peculiar species of enchantment for the youthful ear of the author, the force of which is not even now entirely spent; some others are sufficiently prosaic.

     Cumnor hall.

     The dews of summer night did fall;
     The moon, sweet regent of the sky,
     Silver’d the walls of Cumnor Hall,
     And many an oak that grew thereby,

     Now nought was heard beneath the skies,
     The sounds of busy life were still,
     Save an unhappy lady’s sighs,
     That issued from that lonely pile.

     “Leicester,” she cried, “is this thy love
     That thou so oft hast sworn to me,
     To leave me in this lonely grove,
     Immured in shameful privity?

     “No more thou com’st with lover’s speed,
     Thy once beloved bride to see;
     But be she alive, or be she dead,
     I fear, stern Earl, ’s the same to thee.

     “Not so the usage I received
     When happy in my father’s hall;
     No faithless husband then me grieved,
     No chilling fears did me appal.

     “I rose up with the cheerful morn,
     No lark more blithe, no flower more gay;
     And like the bird that haunts the thorn,
     So merrily sung the livelong day.

     “If that my beauty is but small,
     Among court ladies all despised,
     Why didst thou rend it from that hall,
     Where, scornful Earl, it well was prized?