Kenilworth eBook

This eBook from the Gutenberg Project consists of approximately 697 pages of information about Kenilworth.

Kenilworth eBook

This eBook from the Gutenberg Project consists of approximately 697 pages of information about Kenilworth.

It was then the Queen became aware that a female figure was placed beside, or rather partly behind, an alabaster column, at the foot of which arose the pellucid fountain which occupied the inmost recess of the twilight grotto.  The classical mind of Elizabeth suggested the story of Numa and Egeria, and she doubted not that some Italian sculptor had here represented the Naiad whose inspirations gave laws to Rome.  As she advanced, she became doubtful whether she beheld a statue, or a form of flesh and blood.  The unfortunate Amy, indeed, remained motionless, betwixt the desire which she had to make her condition known to one of her own sex, and her awe for the stately form which approached her, and which, though her eyes had never before beheld, her fears instantly suspected to be the personage she really was.  Amy had arisen from her seat with the purpose of addressing the lady who entered the grotto alone, and, as she at first thought, so opportunely.  But when she recollected the alarm which Leicester had expressed at the Queen’s knowing aught of their union, and became more and more satisfied that the person whom she now beheld was Elizabeth herself, she stood with one foot advanced and one withdrawn, her arms, head, and hands perfectly motionless, and her cheek as pallid as the alabaster pedestal against which she leaned.  Her dress was of pale sea-green silk, little distinguished in that imperfect light, and somewhat resembled the drapery of a Grecian Nymph, such an antique disguise having been thought the most secure, where so many maskers and revellers were assembled; so that the Queen’s doubt of her being a living form was well justified by all contingent circumstances, as well as by the bloodless cheek and the fixed eye.

Elizabeth remained in doubt, even after she had approached within a few paces, whether she did not gaze on a statue so cunningly fashioned that by the doubtful light it could not be distinguished from reality.  She stopped, therefore, and fixed upon this interesting object her princely look with so much keenness that the astonishment which had kept Amy immovable gave way to awe, and she gradually cast down her eyes, and drooped her head under the commanding gaze of the Sovereign.  Still, however, she remained in all respects, saving this slow and profound inclination of the head, motionless and silent.

From her dress, and the casket which she instinctively held in her hand, Elizabeth naturally conjectured that the beautiful but mute figure which she beheld was a performer in one of the various theatrical pageants which had been placed in different situations to surprise her with their homage; and that the poor player, overcome with awe at her presence, had either forgot the part assigned her, or lacked courage to go through it.  It was natural and courteous to give her some encouragement; and Elizabeth accordingly said, in a tone of condescending kindness, “How now, fair Nymph of this lovely grotto, art thou spell-bound and struck with dumbness by the charms of the wicked enchanter whom men term Fear?  We are his sworn enemy, maiden, and can reverse his charm.  Speak, we command thee.”

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Kenilworth from Project Gutenberg. Public domain.