The death of the Pope is announced by the tolling of the great bell of the Capitol, and with all convenient haste the nine days’ funeral begins. Everybody that has been at Rome will remember the beautiful little chapel on the right hand as you enter St. Peter’s; for in the niche above the altar is the group of the Virgin with the dead Christ on her knees, one of the few works which the volcanic genius of Michel Angelo could bring itself to finish in marble. In this chapel, directly in front of this marvellous group, the body of the dead Pope, embalmed and clad in Pontifical robes, is laid on a sumptuous bier, amid a blaze of tapers, with sentinels from the Swiss guard at his feet, leaning on their long halberds, and officers of the household in official costume, and all that imposing mixture of sacred and profane which Rome knows so well how to use upon all great occasions. And here, day after day, the faithful still crowd to take the last look of their “Holy Father,” and kiss the cross on his slipper, and repeat a prayer for his soul. And hundreds among them, especially the very young and the very old, go a few yards farther on to the bronze statue of St. Peter, once the bronze statue of Jupiter, and with equal faith imprint a fervent kiss on the well-worn toe, and repeat a prayer for themselves.
On the opposite side, over the doorway that leads to the dome, is a large sarcophagus of white marble, looking down, if marble can be supposed to look, upon the monument of the last of the Stuarts: dead Pope and dead King almost face to face; crown and tiara mouldering within a few paces of each other; for in that sarcophagus Pope after Pope has silently taken his place, till summoned by the death of his successor to go down to the darker slumbers of the vaults below. And at the close of the ninth day of the funeral, when the crowd is gone, and the doors are closed, and the evening shadows begin to fall upon chapel and altar, and the votive tapers twinkle like dim stars through the gathering gloom, the sarcophagus is opened, the coffin taken out and examined and then carried down to the vault, the newly dead is raised to his temporary resting-place, and amid a silence seldom broken by lamentation the apostolic notary writes by flickering torchlight that once more the successor of the throne has become the successor of the grave.