The Atlantic Monthly, Volume 14, No. 82, August, 1864 eBook

This eBook from the Gutenberg Project consists of approximately 305 pages of information about The Atlantic Monthly, Volume 14, No. 82, August, 1864.

The Atlantic Monthly, Volume 14, No. 82, August, 1864 eBook

This eBook from the Gutenberg Project consists of approximately 305 pages of information about The Atlantic Monthly, Volume 14, No. 82, August, 1864.
up in the more tenacious memory of the offended, have more than once proved insurmountable obstacles in the path to the throne.  Each, too, of the great Catholic powers has a right to exclude one among the candidates, if the exclusion be announced before the votes are all given in:  a privilege which, as it narrows the circle of the eligible and increases individual chances, seldom fails to be faithfully exercised.  Indeed, up to the last moment, no one can tell who may and who may not be chosen.  The most prominent candidates are often the first to be set aside; and the election, like all elections, from that of a President of the United States to that of a village-constable, is oftener decided by a combination of personal ambitions and interests than by those pure and elevated motives which look so attractive in the programme.

The death of the Pope is announced by the tolling of the great bell of the Capitol, and with all convenient haste the nine days’ funeral begins.  Everybody that has been at Rome will remember the beautiful little chapel on the right hand as you enter St. Peter’s; for in the niche above the altar is the group of the Virgin with the dead Christ on her knees, one of the few works which the volcanic genius of Michel Angelo could bring itself to finish in marble.  In this chapel, directly in front of this marvellous group, the body of the dead Pope, embalmed and clad in Pontifical robes, is laid on a sumptuous bier, amid a blaze of tapers, with sentinels from the Swiss guard at his feet, leaning on their long halberds, and officers of the household in official costume, and all that imposing mixture of sacred and profane which Rome knows so well how to use upon all great occasions.  And here, day after day, the faithful still crowd to take the last look of their “Holy Father,” and kiss the cross on his slipper, and repeat a prayer for his soul.  And hundreds among them, especially the very young and the very old, go a few yards farther on to the bronze statue of St. Peter, once the bronze statue of Jupiter, and with equal faith imprint a fervent kiss on the well-worn toe, and repeat a prayer for themselves.

On the opposite side, over the doorway that leads to the dome, is a large sarcophagus of white marble, looking down, if marble can be supposed to look, upon the monument of the last of the Stuarts:  dead Pope and dead King almost face to face; crown and tiara mouldering within a few paces of each other; for in that sarcophagus Pope after Pope has silently taken his place, till summoned by the death of his successor to go down to the darker slumbers of the vaults below.  And at the close of the ninth day of the funeral, when the crowd is gone, and the doors are closed, and the evening shadows begin to fall upon chapel and altar, and the votive tapers twinkle like dim stars through the gathering gloom, the sarcophagus is opened, the coffin taken out and examined and then carried down to the vault, the newly dead is raised to his temporary resting-place, and amid a silence seldom broken by lamentation the apostolic notary writes by flickering torchlight that once more the successor of the throne has become the successor of the grave.

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The Atlantic Monthly, Volume 14, No. 82, August, 1864 from Project Gutenberg. Public domain.