Flicker, flack!  The school-boys stirred up snapdragon again, and with the blue light upon his features the tutor made so horrible a grimace that MacGreedy swallowed the raisin with a start.  He had bolted it whole, and it might have been a bread pill for any enjoyment he had of the flavour.  But the tutor laughed aloud.  He certainly was an alarming object, pulling those grimaces in the blue brandy glare; and unpleasantly like a picture of Bogy himself with horns and a tail, in a juvenile volume upstairs.  True, there were no horns to speak of among the tutor’s grizzled curls, and his coat seemed to fit as well as most people’s on his long back, so that unless he put his tail in his pocket, it is difficult to see how he could have had one.  But then (as Miss Letitia said) “With dress one can do anything and hide anything,” and on dress Miss Letitia’s opinion was final.

Miss Letitia was a cousin.  She was dark, high-coloured, glossy-haired, stout, and showy.  She was as neat as a new pin, and had a will of her own.  Her hair was firmly fixed by bandoline, her garibaldis by an arrangement which failed when applied to those of the widow, and her opinions by the simple process of looking at everything from one point of view.  Her forte was dress and general ornamentation; not that Miss Letitia was extravagant—­far from it.  If one may use the expression, she utilized for ornament a hundred bits and scraps that most people would have wasted.  But, like other artists, she saw everything through the medium of her own art.  She looked at birds with an eye to hats, and at flowers with reference to evening parties.  At picture exhibitions and concerts she carried away jacket patterns and bonnets in her head, as other people make mental notes of an aerial effect, or a bit of fine instrumentation.  An enthusiastic horticulturist once sent Miss Letitia a cut specimen of a new flower.  It was a lovely spray from a lately-imported shrub.  A botanist would have pressed it—­an artist must have taken its portrait—­a poet might have written a sonnet in praise of its beauty.  Miss Letitia twisted a piece of wire round its stem, and fastened it on to her black lace bonnet.  It came on the day of a review, when Miss Letitia had to appear in a carriage, and it was quite a success.  As she said to the widow, “It was so natural that no one could doubt its being Parisian.”

“What a strange fellow that tutor is!” said the visitor.  He spoke to the daughter of the house, a girl with a face like a summer’s day, and hair like a ripe corn-field rippling in the sun.  He was a fine young man, and had a youth’s taste for the sports and amusements of his age.  But lately he had changed.  He seemed to himself to be living in a higher, nobler atmosphere than hitherto.  He had discovered that he was poetical—­he might prove to be a genius.  He certainly was eloquent, he could talk for hours, and did so—­to the young lady with the sunshiny face.  They spoke