“Don’t care fell into a goose-pond, Miss Dot,” said Nurse, on one occasion of the kind.

“I don’t care if he did,” said Miss Dot; and as Nurse knew no further feature of the goose-pond adventure which met this view of it, she closed the subject by putting Dot into the corner.

In the strength of Don’t care, and her love for Sam, Dot bore much and long.  Her dolls perished by ingenious but untimely deaths.  Her toys were put to purposes for which they were never intended, and suffered accordingly.  But Sam was penitent and Dot was heroic.  Florinda’s scalp was mended with a hot knitting-needle and a perpetual bonnet, and Dot rescued her paint-brushes from the glue-pot, and smelt her india-rubber as it boiled down in Sam’s waterproof manufactory, with long-suffering forbearance.

There are, however, as we have said, limits to everything.  An earthquake celebrated with the whole contents of the toy cupboard is not to be borne.

The matter was this.  Early one morning Sam announced that he had a glorious project on hand.  He was going to give a grand show and entertainment, far surpassing all the nursery imitations of circuses, conjurors, lectures on chemistry, and so forth, with which they had ever amused themselves.  He refused to confide his plans to the faithful Dot; but he begged her to lend him all the toys she possessed, in return for which she was to be the sole spectator of the fun.  He let out that the idea had suggested itself to him after the sight of a Diorama to which they had been taken, but he would not allow that it was anything of the same kind; in proof of which she was at liberty to keep back her paint-box.  Dot tried hard to penetrate the secret, and to reserve some of her things from the general conscription.  But Sam was obstinate.  He would tell nothing, and he wanted everything.  The dolls, the bricks (especially the bricks), the tea-things, the German farm, the Swiss cottages, the animals, and all the dolls’ furniture.  Dot gave them with a doubtful mind, and consoled herself as she watched Sam carrying pieces of board and a green table cover into the back nursery, with the prospect of the show.  At last, Sam threw open the door and ushered her into the nursery rocking-chair.

The boy had certainly some constructive as well as destructive talent.  Upon a sort of impromptu table covered with green cloth he had arranged all the toys in rough imitation of a town, with its streets and buildings.  The relative proportion of the parts was certainly not good; but it was not Sam’s fault that the doll’s house and the German farm, his own brick buildings, and the Swiss cottages, were all on totally different scales of size.  He had ingeniously put the larger things in the foreground, keeping the small farm-buildings from the German box at the far end of the streets, yet after all the perspective was extreme.  The effect of three large horses from the toy stables in front, with the cows from the small Noah’s Ark in the distance, was admirable; but the big dolls seated in an unroofed building, made with the wooden bricks on no architectural principle but that of a pound, and taking tea out of the new china tea-things, looked simply ridiculous.