“Your house ought not to look mean and common,—­your house ought to look beautiful,” I replied.  “It would be a sin and a shame to have it otherwise.  No house ought to be fitted up for a future home without a strong and a leading reference to beauty in all its arrangements.  If I were, a Greek, I should say that the first household libation should be made to beauty; but, being an old-fashioned Christian, I would say that he who prepares a home with no eye to beauty neglects the example of the great Father who has filled our earth-home with such elaborate ornament.”

“But then, papa, there’s the money!” said Jennie, shaking her little head wisely.  “You men don’t think of that.  You want us girls, for instance, to be patterns of economy, but we must always be wearing fresh, nice things; you abhor soiled gloves and worn shoes:  and yet how is all this to be done without money?  And it’s just so in housekeeping.  You sit in your arm-chairs and conjure up visions of all sorts of impossible things to be done; but when mamma there takes out that little account-book, and figures away on the cost of things, where do the visions go?”

“You are mistaken, my little dear, and you talk just like a woman,”—­(this was my only way of revenging myself,)—­“that is to say, you jump to conclusions, without sufficient knowledge.  I maintain that in house-furnishing, as well as woman-furnishing, there’s nothing so economical as beauty.”

“There’s one of papa’s paradoxes!” said Jennie.

“Yes,” said I, “that is my thesis, which I shall nail up over the mantel-piece there, as Luther nailed his to the church-door.  It is time to rake up the fire now; but to-morrow night I will give you a paper on the Economy of the Beautiful.”

* * * * *

“Come, now we are to have papa’s paradox,” said Jennie, as soon as the teachings had been carried out.

Entre nous, I must tell you that insensibly we had fallen into the habit of taking our tea by my study-fire.  Tea, you know, is a mere nothing in itself, its only merit being its social and poetic associations, its warmth and fragrance,—­and the more socially and informally it can be dispensed, the more in keeping with its airy and cheerful nature.

Our circle was enlightened this evening by the cheery visage of Bob Stephens, seated, as of right, close to Marianne’s work-basket.

“You see, Bob,” said Jennie, “papa has undertaken to prove that the most beautiful things are always the cheapest.”

“I’m glad to hear that,” said Bob,—­“for there’s a carved antique bookcase and study-table that I have my eye on, and if this can in any way be made to appear”—­

“Oh, it won’t be made to appear,” said Jennie, settling herself at her knitting, “only in some transcendental, poetic sense, such as papa can always make out.  Papa is more than half a poet, and his truths turn out to be figures of rhetoric, when one comes to apply them to matters of fact.”