See how many traces from which we may learn the chopper’s history. From this stump we may guess the sharpness of his ax, and from the slope of the stroke, on which side he stood, and whether he cut down the tree without going round it or changing hands; and from the flexure of the splinters, we may know which way it fell. This one chip contains inscribed on it the whole history of the wood-chopper and of the world. On this scrap of paper, which held his sugar or salt perchance, or was the wadding of his gun, sitting on a log in the forest, with what interest we read the tattle of cities, of those larger huts, empty and to let, like this, in High Streets and Broadways.
WALT WHITMAN.
THE MIRACLES OF NATURE.
[From Leaves of Grass.]
To me every hour of the light and dark
is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the
earth
is
spread with the same,
Every cubic foot of the interior swarms
with the same.
* * * * * * * *
To me the sea is a continual miracle,
The fishes that swim—the rocks—the
motion
of
the waves—the ships with men in them,
What stranger miracles are there?
* * * * * * * *
I was thinking the day most splendid,
till
I saw what the not-day exhibited;
I was thinking this globe enough,
till
there tumbled upon me myriads of other globes;
O, how plainly I see now that this life
cannot exhibit
all
to me—as the day cannot;
O, I see that I am to wait for what will
be exhibited by death.
* * * * * * * *
O Death!
O, the beautiful touch of Death, soothing
and benumbing
a
few moments, for reasons.
* * * * * * * *
The earth never tires,
The earth is rude, silent, incomprehensible
at first—
Nature is rude and incomprehensible at
first;
Be not discouraged—keep on—there
are divine things,
well
enveloped;
I swear to you there are divine things
more beautiful
than
words can tell.