Having come to an understanding with himself, he honestly tries, again, to come to an understanding with the reader. He honestly imparts his mind. We find the book in this respect worthy of especial admiration.
Mr. Alger always writes well when he is not overmuch trying to write well. If he forbear to covet striking effect, his style has perspicuity, directness, and vigor,—the essentials of all excellent writing,—and to these adds verbal affluence and occasional felicity. But if he be tempted of the Devil to become eloquent, and the father of all rhetorical evil strives hard to bring the soul of his style to perdition, then he begins to write badly. Let him, since he is capable of heroic things, imitate Luther, and fling his ink-pot. Even though it light upon the page, let him not be inconsolable, but remember that no blots are so bad as those made by ambitious inflation. We have not that horror of “fine writing” which leads The Saturday Review and Company to such obstreperous exclamation, and can endure the worst that Americans are guilty of in this matter quite as well as that affectation of off-hand ease and nonchalance which enhances the native clumsiness of many among the later English writers, and, to our mind, mars extremely the poetry of Browning. But if a writer has some propensity to rhetorical Babel-building, it were well for him to make an effort in the opposite direction, and try to build his sentences underground, like the houses of the Esquimaux.
Mr. Alger’s book has minor faults and major excellences. But let him be content. He has faithfully performed a great labor, and we give him cordial approval. To a great theme he has brought great industry, a just appreciation, a fine spirit, and much of intellectual courage and activity.