4. Music.
If possible, the music
may correlate with the thought of the
lesson. If not,
let it be devotional and adapted to the children
in words and melody.
5. Handwork or other form of expression
material.
Cutting and pasting
pictures in notebooks; coloring, or other such
work, to be done either
in the classroom or at home.
III. Mode of Procedure—the Presentation, or Instruction.
1. Greetings to the class—opening
prayer and
song.
2. Introduction of the lesson and
telling of the
story.
3. Discussion, questions and illustrations
to reveal:
a. The many beautiful
gifts which God had given Adam and Eve, and
which he gives us.
b. How Adam and Eve were
allowed to have everything except just
one thing among many.
Application of this thought to child’s life
at home, etc.
c. How Adam and Eve yielded
to temptation and disobeyed. Practical
application to child’s
life.
d. How Adam and Eve felt
ashamed and guilty after they had disobeyed
God, and how they tried to
hide from him. This can be made very real
to children.
e. How punishment follows
disobedience.
f. Why we must ask for
forgiveness when we have been disobedient.
4. Summary, or brief restatement
of chief impressions to carry away,
and of applications to be made in the
week ahead by the children
themselves.
5. Closing prayer and song.
Adapting the lesson plan to its uses.—It is, of course, evident that lesson plans can be made of all degrees of complexity and completeness. With a little practice the teacher can easily decide the kind of plan that best suits himself and his particular grade of work. On the one hand, the plan should not be so detailed as to become burdensome to follow in the lesson hour. On the other hand, it should not be so brief and sketchy as not to bring out the significant elements of the lesson.
Different grades of pupils and different subjects will require different lesson plans. It is probable, however, that the three major heads of “Aims,” “Material,” and “Mode of Procedure” will prove serviceable in all plan making. While the teacher should have his plan book at hand in the recitation, he must not become its slave, nor allow its use to kill spontaneity and responsiveness in his teaching. Both the subject matter and the day’s plan should be so well mastered that no more than an occasional glance at the details in the plan book will be required. Nothing must be allowed to come between the teacher’s best personality and his class.