Oh, little house on the plains, when our typewriter forgets thee, may this shift key lose its function!

      [Illustration]

TADPOLES

Near our house, out in the sylvan Salamis Estates, there is a pond.  We fear we cannot describe this pond to you in a way to carry conviction.  You will think we exaggerate if we tell you, with honest warmth, how fair the prospect is.  Therefore, in sketching the scene, we will be austere, churlish, a miser of adjectives.  We will tell you naught of sun-sparkle by day where the green and gold of April linger in that small hollow landskip, where the light shines red through the faint bronze veins of young leaves—­much as it shines red through the finger joinings of a child’s hand held toward the sun.  We will tell you naught of frog-song by night, of those reduplicated whistlings and peepings.  We will tell you naught of....  No, we will be austere.

On one side, this pond reflects the white cloudy bravery of fruit trees in flower, veterans of an orchard surviving an old farmhouse that stood on the hilltop long ago.  It burned, we believe:  only a rectangle of low stone walls remains.  Opposite, the hollow is overlooked by a bumpy hillock fringed with those excellent dark evergreen trees—­shall we call them hemlocks?—­whose flat fronds silhouette against the sky and contribute a feeling of mystery and wilderness.  On this little hill are several japonica trees, in violent ruddy blossom; and clumps of tiger lily blades springing up; and bloodroots.  The region prickles thickly with blackberry brambles, and mats of honeysuckle.  Across the pond, looking from the waterside meadow where the first violets are, your gaze skips (like a flat stone deftly flung) from the level amber (dimpled with silver) of the water, through a convenient dip of country where the fields are folded down below the level of the pool.  So the eye, skittering across the water, leaps promptly and cleanly to blue ranges by the Sound, a couple of miles away.  All this, mere introduction to the real theme, which is Tadpoles.

We intended to write a poem about those tadpoles, but Endymion tells us that Louis Untermeyer has already smitten a lute on that topic.  We are queasy of trailing such an able poet.  Therefore we celebrate these tadpoles in prose.  They deserve a prose as lucid, as limpid, as cool and embracing, as the water of their home.

Coming back to tadpoles, the friends of our youth, shows us that we have completed a biological cycle of much import.  Back to tadpoles in one generation, as the adage might have said.  Twenty-five years ago we ourself were making our first acquaintance with these friendly creatures, in the immortal (for us) waters of Cobb’s Creek, Pennsylvania. (Who was Cobb, we wonder?) And now our urchins, with furious glee, applaud their sire who wades the still frosty quags of our pond, on Sunday mornings, to renew their