“You may paint me in the scene,” she said quietly.  Then, as if it suddenly came to her that she would be giving a secret into this man’s hands, she added, “That is, if you want me for a model merely.”

“Mrs. Detlor,” he said, “you may trust me, on my honor.”

She looked at him, not searchingly, but with a clear, honest gaze such as one sees oftenest in the eyes of children, yet she had seen the duplicities of life backward and said calmly, “Yes, I can trust you.”

“An artist’s subject ought to be sacred to him,” he said.  “It becomes himself, and then it isn’t hard—­to be silent.”

They walked for a few moments, saying nothing.  The terrace was filling with people, so they went upon the veranda and sat down.  There were no chairs near them.  They were quite at the end.

“Please light a cigar,” she said with a little laugh.  “We must not look serious.  Assume your light comedy manner as you listen, and I will wear the true Columbine expression.  We are under the eyes of the curious.”

“Not too much light comedy for me,” he said.  “I shall look forbidding lest your admirers bombard us.”

They were quiet again.

“This is the story,” she said at last, folding her hands before her.  “No, no,” she added hastily, “I will not tell you the story, I will try and picture one scene.  And when I have finished, tell me if you don’t think I have a capital imagination.”  She drew herself up with a little gesture of mockery.  “It is comedy, you know.

“Her name was Marion Conquest.  She was beautiful—­they said that of her then—­and young, only sixteen.  She had been very happy, for a man said that he loved her, and she wore his ring on her finger.  One day, while she was visiting at a place far from her home, she was happier than usual.  She wished to be by herself to wonder how it was that one could be so happy.  You see, she was young and did not think often.  She only lived.  She took a horse and rode far away into the woods.  She came near a cottage among the trees.  She got off her horse and led it.  Under a tree she saw a man and a woman.  The man’s arm was round the woman.  A child four or five years old was playing at their feet—­at the feet of its father and mother. * * * The girl came forward and faced the man—­the man she had sworn to marry.  As I said, his ring was on her finger.”

She paused.  People were passing near, and she smiled and bowed once or twice, but Hagar saw that the fire in her eyes had deepened.

“Is it strong enough for your picture?” she said quietly.

“It is as strong as it is painful.  Yet there is beauty in it, too, for I see the girl’s face.”

“You see much in her face, of course, for you look at it as an artist.  You see shame, indignation, bitterness—­what else?”

“I see that moment of awe when the girl suddenly became a woman—­as the serious day breaks all at once through the haze of morning.”