“stores”; but still it is a pity to carp
at a pretty picture drawn by a literary artist.
I know that rebellious tradesmen in many of the shires
use violent language as they describe the huge packing-cases
which are deposited at various mansions by the railway
vans. I know also that the regulation saddler
who airs his apron at the door of his shop on market-days
will inform the stranger that the gentry get saddles,
harness, and everything else nowadays from the abominable
“stores”; but I must not leave my artist,
and shall let the saddler growl to himself for the
present. The polished writer goes on to speak
of the ruddy farmer who strolls round in elephantine
fashion and hooks out sample-bags from his plethoric
and prosperous pockets; the dealers drive a brisk
trade, the small shopkeepers are encouraged by their
neighbours from the country, and everything is extremely
idyllic and pure and pretty and representative of
England at her best. The old church rears its
quaint height above the quainter houses that cluster
near. In the churchyard the generations of natives
sleep sound; one may trace some families back for
hundreds of years, and thus perceive how firmly the
love of the true townsman clings to his native place.
Perhaps a castle looms over the modest streets and
squares—it is converted into a prison in
all probability; but the sight of it brings memories
of haughty nobles, or of untitled personages whose
pride of race would put monarchs to the blush.
The river flows sweetly past the sleepy lovely town,
and sober citizens walk solemnly beside the rippling
watery highway when the day’s toil is over.
On Sunday, when the bells chime their invitation,
all sorts and conditions of men meet in the dim romantic
precincts of the ancient church, and there is much
pleasant gossiping when morning and evening worship
are ended. Good old solid England is put before
us in miniature when we glance at such of the community
as choose to show themselves before the artistic observer,
and, as we drive away along the sound level roads,
we say—if we are very literary and enthusiastic—“Happy
little town! Happy little nation!” Now
that is all very pretty; and yet the conscientious
philosopher is bound to admit that there is another
side—nay, several other sides—to
the charming picture. I do not want any students
of the modern French school to prove that rural life
in small towns may be as base and horrible as the
life of crowded cities—I do not want any
minute analysis of degradation; but I may prick a
windbag of conceit and do some little service if I
try to show that the state of things in some scores
of these delightful old places is base and corrupt
enough to warm the heart of the most exacting cynic
that ever thought evil of his fellow-creatures.