Punch, or the London Charivari, Volume 103, November 12, 1892 eBook

This eBook from the Gutenberg Project consists of approximately 38 pages of information about Punch, or the London Charivari, Volume 103, November 12, 1892.

Punch, or the London Charivari, Volume 103, November 12, 1892 eBook

This eBook from the Gutenberg Project consists of approximately 38 pages of information about Punch, or the London Charivari, Volume 103, November 12, 1892.
be called decorative, whatever they might have been in their youth.  They needed laurels, for the same reason as JULIUS CAESAR.  The wreath was therefore offered (by a Plebiscite conducted in a newspaper) to the young Lady-poet whose verses and photograph secured the greatest number of votes; the Laureate, in every case, to resign, on attaining her twenty-fifth birthday.  The beautiful and accomplished Mrs. JINGLEY JONES triumphed in this truly modern competition, and her book was rushed into a sale of two hundred and fifty copies.  After this check the writing of poetry ceased to attract male enterprise—­to the extreme joy of Publishers and Reviewers; though the market for waste-paper received a shock from which it never rallied.  The youthful male population of England determined never to become Poets, unless they were born Poets, a resolution on which, at all times, a minority of the race had acted, with the best results.

* * * * *

[Illustration:  Mr. J.L.  “Walker” Toole and “Full Company.”]

“NOTES AND PAPER.”—­There is a lot of “paper” about from “Walker—­London.”  No, Mr. JOHNNIE TOOLE, Sir, not your “paper,” for your House is crammed and your “paper” is at a premium.  But this particular WALKER, of Warwick House, London, sends forth “Society Stationery”—­“which,” as Mrs. Gamp would have said, “spelling of it with an ‘a’ instead of an ‘e,’ Society never is.”  Among the lot there’s an “Antique Society Paper,” which should be a Society Paper as old as the world itself, or it might be used by a Fossilised Fogey Club.  WALKER & Co.’s new “Society Paper,” whether antique or modern, is pretty and quite harmless—­till pen and ink are at work on it; and then—­but that’s another story.

* * * * *

COSTS AS THEY ARE AND WILL BE.

(TWO SCENES FROM A FARCICAL TRAGEDY SHOWING THAT SOME OF THE JUDGES’ RECOMMENDATIONS MIGHT BE ADOPTED IMMEDIATELY.)

THE PRESENT (AS THEY ARE).  SCENE—­SOLICITOR’S PRIVATE ROOM.  SOLICITOR AWAITING WEALTHY CLIENT.  CLERK IN ATTENDANCE.

Solicitor.  The lady is to be shown in the moment she arrives; and mind, I am not to be disturbed as long as she is here.

Clerk.  Yes, Sir. [Exit.

Sol. Quite pleasant way of spending a morning. (Enter Client.) Ah, my dear lady, and how are you?

Client.  Very well, thank you; but BOBBY is not so well, and as for MARY—­

    [Enters into long domestic details.

Sol. (in a sympathetic tone).  Dear me!  And what has given me the pleasure of seeing you here to-day?

Client.  I only looked in to ask you how you thought our suit was going on?

Sol. Oh, capitally!  You know, we have had several appointments before the Chief Clerk in Chambers, and—­

    [Enters into long explanation, bristling with
    technicalities.

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Punch, or the London Charivari, Volume 103, November 12, 1892 from Project Gutenberg. Public domain.