whom we have had only a short interview.  Inexperienced writers should not attempt to prepare sketches of persons whom they know but slightly.  In a single interview a writer who is observant, and who is a keen judge of human nature, may be able to get an impression sufficiently strong to serve as the basis of a satisfactory article, especially if the material obtained in the interview is supplemented by printed sketches and by conversations with others.  Personality sketches sometimes include long interviews giving the person’s opinions on the subject on which he is an authority.  In such articles the sketch usually precedes the interview.

EXAMPLES OF THE PERSONALITY SKETCH.  The first of the following sketches appeared, with a half-tone portrait, in the department of “Interesting People” in the American Magazine; the second was sent out by the Newspaper Enterprise Association, Cleveland, Ohio, which supplies several hundred daily newspapers with special features.

    (1)

    “TOMMY”—­WHO ENJOYS STRAIGHTENING OUT THINGS

    BY SAMPSON RAPHAELSON

Six years ago a young Bulgarian immigrant, dreamy-eyed and shabby, came to the University of Illinois seeking an education.  He inquired his way of a group of underclassmen and they pointed out to him a large red building on the campus.

    “Go there,” they said gayly, “and ask for Tommy.”

He did, and when he was admitted to the presence of Thomas Arkle Clark, Dean of Men, and addressed him in his broken English as “Mis-terr Tommy,” the dean did not smile.  Although Mr. Clark had just finished persuading an irascible father to allow his reprobate sophomore son to stay at college, and although he was facing the problem of advising an impetuous senior how to break an engagement with a girl he no longer loved, he adapted himself to the needs and the temperament of the foreigner instantly, sympathetically, and efficiently.

In five minutes the Bulgarian had a job, knew what courses in English he ought to take, and was filled with a glow of hope, inspiration, and security which only a genius in the art of graciousness and understanding like “Tommy Arkle,” as he is amiably called by every student and alumnus of Illinois, can bestow.

This is a typical incident in the extremely busy, richly human daily routine of the man who created the office of Dean of Men in American universities.  Slender, short, well-dressed, his gray hair smartly parted, with kindly, clever, humorous blue eyes and a smile that is an ecstasy of friendliness, “Tommy” sits behind his big desk in the Administration Building from eight to five every day and handles all of the very real troubles and problems of the four thousand-odd men students at the University of Illinois.

He averages one hundred callers a day, in addition to answering a heavy mail and attendance