From all these experiments it appears, that these spectra in the eye are not owing to the mechanical impulse of light impressed on the retina; nor to its chemical combination with that organ; nor to the absorption and emission of light, as is supposed, perhaps erroneously, to take place in calcined shells and other phosphorescent bodies, after having been exposed to the light:  for in all these cases the spectra in the eye should either remain of the same colour, or gradually decay, when the object is withdrawn; and neither their evanescence during the presence of their object, as in the second experiment, nor their change from dark to luminous, as in the third experiment, nor their rotation, as in the fourth experiment, nor the alternate presence and evanescence of them, as in the fifth experiment, nor the perpetual change of colours of them, as in the last experiment, could exist.

IV.  The subsequent articles shew, that these animal motions or configurations of our organs of sense constitute our ideas.

1.  If any one in the dark presses the ball of his eye, by applying his finger to the external corner of it, a luminous appearance is observed; and by a smart stroke on the eye great slashes of fire are perceived. (Newton’s Optics.) So that when the arteries, that are near the auditory nerve, make stronger pulsations than usual, as in some fevers, an undulating sound is excited in the ears.  Hence it is not the presence of the light and sound, but the motions of the organ, that are immediately necessary to constitute the perception or idea of light and sound.

2.  During the time of sleep, or in delirium, the ideas of imagination are mistaken for the perceptions of external objects; whence it appears, that these ideas of imagination, are no other than a reiteration of those motions of the organs of sense, which were originally excited by the stimulus of external objects:  and in our waking hours the simple ideas, that we call up by recollection or by imagination, as the colour of red, or the smell of a rose, are exact resemblances of the same simple ideas from perception; and in consequence must be a repetition of those very motions.

3.  The disagreeable sensation called the tooth-edge is originally excited by the painful jarring of the teeth in biting the edge of the glass, or porcelain cup, in which our food was given us in our infancy, as is further explained in the Section XVI. 10, on Instinct.—­This disagreeable sensation is afterwards excitable not only by a repetition of the sound, that was then produced, but by imagination alone, as I have myself frequently experienced; in this case the idea of biting a china cup, when I imagine it very distinctly, or when I see another person bite a cup or glass, excites an actual pain in the nerves of my teeth.  So that this idea and pain seem to be nothing more than the reiterated motions of those nerves, that were formerly so disagreeably affected.