[122] Translated in the collection “Sales Attici.”

The freedman waited for his superior to ask him to continue, but the request did not come.  The general seemed lost in a reverie; his expressive dark eyes were wandering off in a kind of quiet melancholy, gazing at the glass water-clock at the end of the room, but evidently not in the least seeing it.

“I have heard enough Euripides to-day,” at length he remarked.  “I must attend to more important matters.  You may leave me.”

The Greek rolled up the volume, placed it in the cupboard, and left the room with noiseless step.  The general had arisen, and was standing beside the open window that looked out into a quiet little court.  It was dark.  The lamps of the room threw the court-yard into a sombre relief.  Overhead, in the dimming, violet arch of the sky, one or two faint stars were beginning to twinkle.

  “Play to life’s end this wicked witless game
  And you will win what knaves and fools call Fame!”

repeated the general, leaning out from the stone work of the window-casing in order to catch the cool air of the court.  “Yes, fame, the fame of a Xerxes; perhaps the fame of a Hannibal—­no, I wrong the Carthaginian, for he at least struck for his country.  And what is it all worth, after all?  Does Agamemnon feel that his glory makes the realm of Hades more tolerable?  Does not Homer set forth Achilles as a warrior with renown imperishable?  And yet, ‘Mock me not,’ he makes the shade of Achilles say; ’Better to be the hireling of a stranger and serve a man of mean estate, whose living is but small, than be the monarch over all those dead and gone.’”

The general leaned yet farther out, and looked upward.  “These were the stars that twinkled over the Troy of Priam; these were the stars that shone on Carthage when she sent forth her armies and her fleets, and nigh drove the Greeks from Sicily; and these are the stars which will shine when Rome is as Troy and Carthage.  And I—­I am an atom, a creature of chance, thrown out of the infinite to flash like a shooting star for a moment across a blackened firmament and then in the infinite to expire. Cui bono? Why should I care how I live my life, since in a twinkling it will all be as if it had never been?  And if Cato and Domitius and Lentulus Crus have their way with me, what matter?  What matter if a stab in the dark, or open violence, or the sham forms of justice end this poor comedy?  I and all others play.  All comedy is tragedy, and at its merriest is but dolorous stuff.  While the curtain stays down[123] we are sorry actors with the whole world for our audience, and the hoots mingle full often with the applause.  And when the curtain rises, that which is good, the painstaking effort, the labour, is quickly forgotten; the blunders, the false quantities in our lives, are treasured up to be flung against our names.  We play, but we do not know our parts; we are Oedipus,