It was at this time, when I was never more deeply moved in my whole being, when I lived in that soul to which I strove to send the luminous breeze of the mornings and the hope of the crimsoned evenings, that I met, in the salons of the Elysee-Bourbon, one of those illustrious ladies who reign as sovereigns in society.  Immensely rich, born of a family whose blood was pure from all misalliance since the Conquest, married to one of the most distinguished old men of the British peerage, it was nevertheless evident that these advantages were mere accessories heightening this lady’s beauty, graces, manners, and wit, all of which had a brilliant quality which dazzled before it charmed.  She was the idol of the day; reigning the more securely over Parisian society because she possessed the quality most necessary to success,—­the hand of iron in the velvet glove spoken of by Bernadotte.

You know the singular characteristics of English people, the distance and coldness of their own Channel which they put between them and whoever has not been presented to them in a proper manner.  Humanity seems to be an ant-hill on which they tread; they know none of their species except the few they admit into their circle; they ignore even the language of the rest; tongues may move and eyes may see in their presence but neither sound nor look has reached them; to them, the people are as if they were not.  The British present an image of their own island, where law rules everything, where all is automatic in every station of life, where the exercise of virtue appears to be the necessary working of a machine which goes by clockwork.  Fortifications of polished steel rise around the Englishwoman behind the golden wires of her household cage (where the feed-box and the drinking-cup, the perches and the food are exquisite in quality), but they make her irresistibly attractive.  No people ever trained married women so carefully to hypocrisy by holding them rigidly between the two extremes of death or social station; for them there is no middle path between shame and honor; either the wrong is completed or it does not exist; it is all or nothing,—­Hamlet’s “To be or not to be.”  This alternative, coupled with the scorn to which the customs of her country have trained her, make an Englishwoman a being apart in the world.  She is a helpless creature, forced to be virtuous yet ready to yield, condemned to live a lie in her heart, yet delightful in outward appearance—­for these English rest everything on appearances.  Hence the special charms of their women:  the enthusiasm for a love which is all their life; the minuteness of their care for their persons; the delicacy of their passion, so charmingly rendered in the famous scene of Romeo and Juliet in which, with one stroke, Shakespeare’s genius depicted his country-women.