solid doors, especially for chamber closets, for dressing-rooms,
or other apartments communicating in suites, and not
infrequently a heavy curtain is an ample barrier between
the principal rooms. It may be well to supplement
them, with light sliding doors, to be used in an emergency,
but which being rarely seen, may be exceedingly simple
and inexpensive, having no resemblance to the rest
of the finish in the room. For that matter such
conformity is not required of any of the doors, though
it is reckoned by builders as one of the cardinal
points in hard-wood finish that veneered doors must
‘match’ the finish of the rooms in which
they show. This is absurd. Doors are under
no such obligations. They may be of any sort of
wood, metal or fabric. They may be veneered,
carved, gilded, ebonized, painted, stained or ‘decorated.’
To finish and furnish a room entirely with one kind
of wood, making the wainscot, architraves, cornices,
doors and mantels, the chairs, tables, piano, bookcase,
or sideboard, all of mahogany, oak, or whatever may
be chosen—the floors, too, perhaps, and
the picture frames—is strictly orthodox
and eminently respectable; but like the invariable
use of ‘low tones’ in decorating walls
and ceilings, it betrays a sort of helplessness and
lack of courage. Discords in sound, color and
form are, indeed, always hateful, and they are sure
to be produced when ignorance or accident strikes the
keys. Yet, on the other hand, neutrality and monotone
are desperately tedious, and it is better to strive
and fail than to be hopelessly commonplace.”
[Illustration: INSIDE BARRIERS.]
[Illustration: COMMON UGLINESS.]
[Illustration: SIMPLE GRACE.]
This advice concerned not the doors alone, but referred
to other queries that had been raised as to the interior
finish generally.
One evening Jack came home and found Jill “in
the dumps,” or as near as she ever came to that
unhappy state of mind, the consequence, as it appeared,
of Aunt Melville’s zeal in her behalf.
“Why should these plans worry you?” said
Jack. “I thought common sense was your
armor and decision your shield against Aunt Melville’s
erratic arrows of advice.”
“My armor is intact, but, for a moment, I have
lowered my shield and it has cost me an effort to
raise it again, I supposed my mind was fixed beyond
the possibility of change, but this is a wonderfully
taking plan. At first I felt that if our lot
had not been bought and the foundation actually begun
we would certainly begin anew and have a house something
like these plans. Then it occurred to me that
in building a house that is to be our home as long
as we live, perhaps, it would be the height of absurdity
to tie ourselves down to one little spot on the broad
face of this great, beautiful world and live in a
house that will never be satisfactory, just because
we happen to have this bit of land in our possession
and have spent upon it a few hundred dollars.”