Last Days of Pompeii eBook

This eBook from the Gutenberg Project consists of approximately 565 pages of information about Last Days of Pompeii.

Last Days of Pompeii eBook

This eBook from the Gutenberg Project consists of approximately 565 pages of information about Last Days of Pompeii.
was a restless voyager, that tortoise!—­patiently, and with pain, did it perform its self-appointed journeys, evincing no interest in the things around it—­a philosopher concentrated in itself.  There was something grand in its solitary selfishness!—­the sun in which it basked—­the waters poured daily over it—­the air, which it insensibly inhaled, were its sole and unfailing luxuries.  The mild changes of the season, in that lovely clime, affected it not.  It covered itself with its shell—­as the saint in his piety—­as the sage in his wisdom—­as the lover in his hope.

It was impervious to the shocks and mutations of time—­it was an emblem of time itself:  slow, regular, perpetual; unwitting of the passions that fret themselves around—­of the wear and tear of mortality.  The poor tortoise! nothing less than the bursting of volcanoes, the convulsions of the riven world, could have quenched its sluggish spark!  The inexorable Death, that spared not pomp or beauty, passed unheedingly by a thing to which death could bring so insignificant a change.

For this animal the mercurial and vivid Greek felt all the wonder and affection of contrast.  He could spend hours in surveying its creeping progress, in moralizing over its mechanism.  He despised it in joy—­he envied it in sorrow.

Regarding it now as he lay along the sward—­its dull mass moving while it seemed motionless, the Athenian murmured to himself: 

’The eagle dropped a stone from his talons, thinking to break thy shell:  the stone crushed the head of a poet.  This is the allegory of Fate!  Dull thing!  Thou hadst a father and a mother; perhaps, ages ago, thou thyself hadst a mate.  Did thy parents love, or didst thou?  Did thy slow blood circulate more gladly when thou didst creep to the side of thy wedded one?  Wert thou capable of affection?  Could it distress thee if she were away from thy side?  Couldst thou feel when she was present?  What would I not give to know the history of thy mailed breast—­to gaze upon the mechanism of thy faint desires—­to mark what hair—­breadth difference separates thy sorrow from thy joy!  Yet, methinks, thou wouldst know if Ione were present!  Thou wouldst feel her coming like a happier air—­like a gladder sun.  I envy thee now, for thou knowest not that she is absent; and I—­would I could be like thee—­between the intervals of seeing her!  What doubt, what presentiment, haunts me! why will she not admit me?  Days have passed since I heard her voice.  For the first time, life grows flat to me.  I am as one who is left alone at a banquet, the lights dead, and the flowers faded.  Ah!  Ione, couldst thou dream how I adore thee!’

From these enamoured reveries, Glaucus was interrupted by the entrance of Nydia.  She came with her light, though cautious step, along the marble tablinum.  She passed the portico, and paused at the flowers which bordered the garden.  She had her water-vase in her hand, and she sprinkled the thirsting plants, which seemed to brighten at her approach.  She bent to inhale their odor.  She touched them timidly and caressingly.  She felt, along their stems, if any withered leaf or creeping insect marred their beauty.  And as she hovered from flower to flower, with her earnest and youthful countenance and graceful motions, you could not have imagined a fitter handmaid for the goddess of the garden.

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Last Days of Pompeii from Project Gutenberg. Public domain.