It is remarkable, that in this biographical disquisition there appears a very strong symptom of Johnson’s prejudice against players; a prejudice which may be attributed to the following causes:  first, the imperfection of his organs, which were so defective that he was not susceptible of the fine impressions which theatrical excellence produces upon the generality of mankind; secondly, the cold rejection of his tragedy; and, lastly, the brilliant success of Garrick, who had been his pupil, who had come to London at the same time with him, not in a much more prosperous state than himself, and whose talents he undoubtedly rated low, compared with his own.  His being outstripped by his pupil in the race of immediate fame, as well as of fortune, probably made him feel some indignation, as thinking that whatever might be Garrick’s merits in his art, the reward was too great when compared with what the most successful efforts of literary labour could attain.  At all periods of his life Johnson used to talk contemptuously of players; but in this work he speaks of them with peculiar acrimony; for which, perhaps, there was formerly too much reason from the licentious and dissolute manners of those engaged in that profession.  It is but justice to add, that in our own time such a change has taken place, that there is no longer room for such an unfavourable distinction.

His schoolfellow and friend, Dr. Taylor, told me a pleasant anecdote of Johnson’s triumphing over his pupil David Garrick.  When that great actor had played some little time at Goodman’s fields, Johnson and Taylor went to see him perform, and afterwards passed the evening at a tavern with him and old Giffard.  Johnson, who was ever depreciating stage-players, after censuring some mistakes in emphasis which Garrick had committed in the course of that night’s acting, said, ’The players, Sir, have got a kind of rant, with which they run on, without any regard either to accent or emphasis.’  Both Garrick and Giffard were offended at this sarcasm, and endeavoured to refute it; upon which Johnson rejoined, ’Well now, I’ll give you something to speak, with which you are little acquainted, and then we shall see how just my observation is.  That shall be the criterion.  Let me hear you repeat the ninth Commandment, “Thou shalt not bear false witness against thy neighbour."’ Both tried at it, said Dr. Taylor, and both mistook the emphasis, which should be upon not and false witness.  Johnson put them right, and enjoyed his victory with great glee.

Johnson’s partiality for Savage made him entertain no doubt of his story, however extraordinary and improbable.  It never occurred to him to question his being the son of the Countess of Macclesfield, of whose unrelenting barbarity he so loudly complained, and the particulars of which are related in so strong and affecting a manner in Johnson’s life of him.  Johnson was certainly well warranted in publishing his narrative, however offensive it might be to the lady and her relations,