Cyclopedia of Telephony & Telegraphy Vol. 1 eBook

This eBook from the Gutenberg Project consists of approximately 436 pages of information about Cyclopedia of Telephony & Telegraphy Vol. 1.

Cyclopedia of Telephony & Telegraphy Vol. 1 eBook

This eBook from the Gutenberg Project consists of approximately 436 pages of information about Cyclopedia of Telephony & Telegraphy Vol. 1.

The signal-receiving device in harmonic-ringing systems takes the form of a ringer, having its armature and striker mounted on a rather stiff spring rather than on trunnions.  By this means the moving parts of the bell constitute in effect a reed tongue, which has a natural rate of vibration at which it may easily be made to vibrate with sufficient amplitude to strike the gongs.  The harmonic ringer differs from the ordinary polarized bell or ringer, therefore, in that its armature will vibrate most easily at one particular rate, while the armature of the ordinary ringer is almost indifferent, between rather wide limits, as to the rate at which it vibrates.

As a rule harmonic party-line systems are limited to four stations on a line.  The frequencies employed are usually 16-2/3, 33-1/3, 50, and 66-2/3 cycles per second, this corresponding to 1,000, 2,000, 3,000, and 4,000 cycles per minute.  The reason why this particular set of frequencies was chosen is that they represent approximately the range of desirable frequencies, and that the first ringing-current machines in such systems were made by mounting the armatures of four different generators on a single shaft, these having, respectively, two poles, four poles, six poles, and eight poles each.  The two-pole generator gave one cycle per revolution, the four-pole two, the six-pole three, and the eight-pole four, so that by running the shaft of the machine at exactly 1,000 revolutions per minute the frequencies before mentioned were attained.  This range of frequencies having proved about right for general practice and the early ringers all having been attuned so as to operate on this basis, the practice of adhering to these numbers of vibrations has been kept up with one exception by all the manufacturers who make this type of ringer.

Tuning. The process of adjusting the armature of a ringer to a certain rate of vibration is called tuning, and it is customary to refer to a ringer as being tuned to a certain rate of vibration, just as it is customary to refer to a violin string as being tuned to a certain pitch or rate of vibration.

The physical difference between the ringers of the various frequencies consists mainly in the size of the weights at the end of the vibrating reed, that is, of the weights which form the tapper for the bell.  The low-frequency ringers have the largest weights and the high-frequency the smallest, of course.  The ringers are roughly tuned to the desired frequencies by merely placing on the tapper rod the desired weight and then a more refined tuning is given them by slightly altering the positions of the weights on the tapper rod.  To make the reed have a slightly lower natural rate of vibration, the weight is moved further from the stationary end of the reed, while to give it a slightly higher natural rate of vibration the weight is moved toward the stationary.  In this way very nice adjustments may be made, and the aim of the various factories manufacturing these bells is to make the adjustment permanent so that it will never have to be altered by the operating companies.  Several years of experience with these bells has shown that when once properly assembled they maintain the same rate of vibration with great constancy.

Copyrights
Project Gutenberg
Cyclopedia of Telephony & Telegraphy Vol. 1 from Project Gutenberg. Public domain.