Some one if they dreamed that their mother was dead when they woke up would not put on mourning.  Some if they believed in dreams as much as the one who dreamed that their mother was dead and did not put on mourning would if they had dreamed that their mother was dead would put on mourning.  Hattie if she dreamed that her mother was dead would not put on mourning.  Mrs. Claudel if she believed in dreams as much as Hattie and had dreamed that her mother was dead would put on mourning.

Some would be surprised that some could dream that their mother was dead and then not put on mourning.  Some would be surprised that any one having dreamed that their mother was dead could think about then putting on mourning.

Some people know other ones.  This is being a history of kinds of men and women, when they were babies and then children and then grown men and women and then old ones and the one and the ones they were in relation with at any time, at some time.

This is a general leading up to a description of Olive who is an exception in being one being living.  Then there can be a description of the Pauline group and of the Pauline quality in Ollie and then there can be a complete description of the Pauline group and there can be a description of ones who could be ones who are not at all married ones a whole group of them of hundreds of them, and they grade from Eugenia to Mabel Arbor who is not like them in being one who could have been one not being a married one.  Then once more one can begin with the Pauline group and Sophie among them, and then one can go through whole groups of women to Jane Sands and her relation to men and so to a group of men and ending up with Paul.  Then one can take a fresh start and begin with Fanny and Helen and run through servants and adolescents to Lucy and so again to women and to men and how they love, how women love and how they do not love, how men do not love, how men do love, how women and men do and do not love and so on to men and women in detail and so on to Simon as a type of man.

Then going completely in to the flavor question how persons have the flavor they do there can be given short sketches of Farmert, Alden, of Henderson and any other man one can get having very much flavor and describing the complications in them one can branch off into women, Myrtle, Constance, Nina Beckworth and others to Ollie and then say of them that it is hard to combine their flavor with other feelings in them but it has been done and is being done and then describe Pauline and from Pauline go on to all kinds of women that come out of her, and then go on to Jane, and her group and then come back to describe Mabel Arbor and her group, then Eugenia’s group always coming back to flavor idea and Pauline type, then go on to adolescents, mixing and mingling and contrasting.  Then start afresh with Grace’s group, practical, pseudo masculine.  Then start afresh with Fanny and Helen and business women, earthy type, and kind of intellect.  Enlarge on this and then go back to flavor, to pseudo flavor, Mildred’s group, and then to the concentrated groups.