by two children.  He was burdened with debt, but he put his faith in his pen.  He took a comedy in five acts to the Odeon; the comedy was accepted, the management arranged to bring it out, the actors learned their parts, the stage manager urged on the rehearsals.  Five several bits of luck, five dramas to be performed in real life, and far harder tasks than the writing of a five-act play.  The poor author lodged in a garret; you can see the place from here.  He drained his last resources to live until the first representation; his wife pawned her clothes, they all lived on dry bread.  On the day of the final rehearsal, the household owed fifty francs in the Quarter to the baker, the milkwoman, and the porter.  The author had only the strictly necessary clothes—­a coat, a shirt, trousers, a waistcoat, and a pair of boots.  He felt sure of his success; he kissed his wife.  The end of their troubles was at hand.  ‘At last!  There is nothing against us now,’ cried he.—­’Yes, there is fire,’ said his wife; ’look, the Odeon is on fire!’—­The Odeon was on fire, monsieur.  So do not you complain.  You have clothes, you have neither wife nor child, you have a hundred and twenty francs for emergencies in your pocket, and you owe no one a penny.—­Well, the piece went through a hundred and fifty representations at the Theatre Louvois.  The King allowed the author a pension.  ‘Genius is patience,’ as Buffon said.  And patience after all is a man’s nearest approach to Nature’s processes of creation.  What is Art, monsieur, but Nature concentrated?”

By this time the young men were striding along the walks of the Luxembourg, and in no long time Lucien learned the name of the stranger who was doing his best to administer comfort.  That name has since grown famous.  Daniel d’Arthez is one of the most illustrious of living men of letters; one of the rare few who show us an example of “a noble gift with a noble nature combined,” to quote a poet’s fine thought.

“There is no cheap route to greatness,” Daniel went on in his kind voice.  “The works of Genius are watered with tears.  The gift that is in you, like an existence in the physical world, passes through childhood and its maladies.  Nature sweeps away sickly or deformed creatures, and Society rejects an imperfectly developed talent.  Any man who means to rise above the rest must make ready for a struggle and be undaunted by difficulties.  A great writer is a martyr who does not die; that is all.—­There is the stamp of genius on your forehead,” d’Arthez continued, enveloping Lucien by a glance; “but unless you have within you the will of genius, unless you are gifted with angelic patience, unless, no matter how far the freaks of Fate have set you from your destined goal, you can find the way to your Infinite as the turtles in the Indies find their way to the ocean, you had better give up at once.”

“Then do you yourself expect these ordeals?” asked Lucien.

“Trials of every kind, slander and treachery, and effrontery and cunning, the rivals who act unfairly, and the keen competition of the literary market,” his companion said resignedly.  “What is a first loss, if only your work was good?”