After this introduction, in which “Dualities, Trinities, and Supreme Deities” have been discovered by writers unfamiliar with the genius of the Japanese language, there follows an account of the creation of the habitable earth by Izanami and Izanagi, whose names mean the Male-Who-Invites and the Female-Who-Invites.  The heavenly kami commanded these two gods to consolidate and give birth to the drifting land.  Standing on the floating bridge of heaven, the male plunged his jewel-spear into the unstable waters beneath, stirring them until they gurgled and congealed.  When he drew forth the spear, the drops trickling from its point formed an island, ever afterward called Onokoro-jima, or the Island of the Congealed Drop.  Upon this island they descended.  The creative pair, or divine man and woman, now separated to make a journey round the island, the male to the left, the female to the right.  At their meeting the female spoke first:  “How joyful to meet a lovely man!” The male, offended that the woman had spoken first, required the circuit to be repeated.  On their second meeting, the man cried out:  “How joyful to meet a lovely woman!” This island on which they had descended was the first of several which they brought into being.  In poetry it is the Island of the Congealed Drop.  In common geography it is identified as Awaji, at the entrance of the Inland Sea.  Thence followed the creation of the other visible objects in nature.

Izanagi’s Visit to Hades and Results.

After the birth of the god of fire, which nearly destroyed the mother’s life, Izanami fled to the land of roots or of darkness, that is into Hades.  Izanagi, like a true Orpheus, followed his Eurydice and beseeched her to come back to earth to complete with him the work of creation.  She parleyed so long with the gods of the underworld that her consort, breaking off a tooth of his comb, lighted it as a torch and rushed in.  He found her putrefied body, out of which had been born the eight gods of thunder.  Horrified at the awful foulness which he found in the underworld, he rushed up and out, pursued by the Ugly-Female-of-Hades.  By artifices that bear a wonderful resemblance to those in Teutonic fairy tales, he blocked up the way.  His head-dress, thrown at his pursuer, turned into grapes which she stopped to eat.  The teeth of his comb sprouted into a bamboo forest, which detained her.  The three peaches were used as projectiles; his staff which stuck up in the ground became a gate, and a mighty rock was used to block up the narrow pass through the mountains.  Each of these objects has its relation to place-names in Idzumo or to superstitions that are still extant.  The peaches and the rocks became gods, and on this incident, by which the beings in Hades were prevented from advance and successful mischief on earth, is founded one of the norito which Mr. Satow gives in condensed form.  The names of the three gods,[4] Youth and Maiden of the Many Road-forkings, and Come-no-further Gate, are expressed and invoked in the praises bestowed on them in connection with the offerings.