CHAPTER XC.
UNDER THE MISLETOE.
The hand which held that of old Boniface Newt was never placed in that of any, younger man, except for a moment; but the heart that warmed the hand henceforward held all the world.
We have come to the last leaf, patient and gentle reader, and the girl we saw sitting, long ago, upon the lawn and walking in the garden of Pinewood is not yet married! Yes, and we shall close the book, and still she will be Hope Wayne.
How could we help it? How could a faithful chronicler but tell his story as it is? It is not at his will that heroes marry, and heroines are given in marriage. He merely watches events and records results; but the inevitable laws of human life are hidden in God’s grace beyond his knowledge.
There is Arthur Merlin painting pictures to this day, and every year with greater beauty and wider recognition. He wears the same velvet coat of many buttons—or its successor in the third or fourth remove—and still he whistles and sings at his work, still draws back from the easel and turns his head on one side to look at his picture, and cons it carefully through the tube of his closed hand; still lays down the pallet and, lighting a cigar, throws himself into the huge easy-chair, hanging one leg over the chair-arm and gazing, as he swings his foot, at something which does not seem to be in the room. Cheerful and gay, he has always a word of welcome for the loiterer who returns to Italy by visiting the painters; even if the loiterer find him with the foot idly swinging and the cigar musingly smoking itself away.
Nor is the painter conscious of any gaping, unhealed wound that periodically bleeds. There are nights in mid-summer when, leaning from his window, he thinks of many things, and among others, of a picture he once painted of the legend of Latmos. He smiles to think that, at the time, he half persuaded himself that he might be Endymion, yet the feeling with which he smiles is of pity and wonder rather than of regret.