and then of Ghatotkacha.  Then, must you know, comes the story of the death of Drona of surprising interest.  The next that comes is called the discharge of the weapon called Narayana.  Then, you know, is Karna, and then Salya.  Then comes the immersion in the lake, and then the encounter (between Bhima and Duryodhana) with clubs.  Then comes Saraswata, and then the descriptions of holy shrines, and then genealogies.  Then comes Sauptika describing incidents disgraceful (to the honour of the Kurus).  Then comes the ‘Aisika’ of harrowing incidents.  Then comes ‘Jalapradana’ oblations of water to the manes of the deceased, and then the wailings of the women.  The next must be known as ‘Sraddha’ describing the funeral rites performed for the slain Kauravas.  Then comes the destruction of the Rakshasa Charvaka who had assumed the disguise of a Brahmana (for deceiving Yudhishthira).  Then the coronation of the wise Yudhishthira.  The next is called the ‘Grihapravibhaga’.  Then comes ‘Santi’, then ‘Rajadharmanusasana’, then ‘Apaddharma’, then ‘Mokshadharma’.  Those that follow are called respectively ‘Suka-prasna-abhigamana’, ‘Brahma-prasnanusana’, the origin of ‘Durvasa’, the disputations with Maya.  The next is to be known as ‘Anusasanika’.  Then the ascension of Bhishma to heaven.  Then the horse-sacrifice, which when read purgeth all sins away.  The next must be known as the ‘Anugita’ in which are words of spiritual philosophy.  Those that follow are called ‘Asramvasa’, ‘Puttradarshana’ (meeting with the spirits of the deceased sons), and the arrival of Narada.  The next is called ‘Mausala’ which abounds with terrible and cruel incidents.  Then comes ‘Mahaprasthanika’ and ascension to heaven.  Then comes the Purana which is called Khilvansa.  In this last are contained ‘Vishnuparva’, Vishnu’s frolics and feats as a child, the destruction of ‘Kansa’, and lastly, the very wonderful ‘Bhavishyaparva’ (in which there are prophecies regarding the future).

The high-souled Vyasa composed these hundred parvas of which the above is only an abridgement:  having distributed them into eighteen, the son of Suta recited them consecutively in the forest of Naimisha as follows: 

’In the Adi parva are contained Paushya, Pauloma, Astika, Adivansavatara, Samva, the burning of the house of lac, the slaying of Hidimba, the destruction of the Asura Vaka, Chitraratha, the Swayamvara of Draupadi, her marriage after the overthrow of rivals in war, the arrival of Vidura, the restoration, Arjuna’s exile, the abduction of Subhadra, the gift and receipt of the marriage dower, the burning of the Khandava forest, and the meeting with (the Asura-architect) Maya.  The Paushya parva treats of the greatness of Utanka, and the Pauloma, of the sons of Bhrigu.  The Astika describes the birth of Garuda and of the Nagas (snakes), the churning of the ocean, the incidents relating to the birth of the celestial steed Uchchaihsrava, and finally, the dynasty of Bharata, as described