But the true god-gift grows. Sweet,
sweet, still sweet
As great Apollo’s lyre,
or Pan’s plain reed,
His music flowed, but slowly he out-beat
His song to finer issues.
Fingers fleet,
That trifled with the pipe-stops, shook
grand sound
From the great organ’s
golden mouths anon.
A mellow-measured might, a beauty bound
(As
Venus with her zone)
By that which shaped from chaos Earth,
Air, Sky,
The unhampering restraint of Harmony.
Hysteric ecstasy, new fierce, now faint,
But ever fever-sick, shook
not his lyre
With epileptic fervours. Sensual
taint
Of satyr heat, or bacchanal
desire,
Polluted not the passion of his song;
No corybantic clangor clamoured
through
Its manly harmonies, as sane as strong;
So
that the captious few
Found sickliness in pure Elysian balm,
And coldness in such high Olympian calm.
[Illustration: “CROSSING THE BAR.”
“TWILIGHT AND EVENING BELL, AND
AFTER THAT THE DARK”
“AND MAY THERE BE NO SADNESS OF
FAREWELL, WHEN I EMBARK.”—TENNYSON.]
Impassioned purity, high minister
Of spirit’s joys, was
his, reserved, restrained.
His song was like the sword Excalibur
Of his symbolic knight; trenchant,
unstained.
It shook the world of wordly baseness,
smote
The Christless heathendom
of huckstering days.
There is no harshness in that mellow note,
No
blot upon those bays;
For loyal love and knightly valour rang
Through rich immortal music when he sang.
ARTHUR, his friend, the Modern Gentleman,
ARTHUR, the hero, his ideal
Knight,
Inspired his strains. From fount
to flood they ran
A flawless course of melody
and light.
A Christian chivalry shone in his song
From Locksley Hall to shadowy
Lyonnesse,
Whence there stand forth two figures,
stately, strong,
Symbols
of spirit’s stress;
The blameless King, saintship with scarce
a blot,
And song’s most noble sinner, LANCELOT.
Lover of England, lord of English hearts,
Master of English speech,
painter supreme
Of English landscape! Patriot passion
starts
A-flame, pricked by the words
that glow and gleam
In those imperial paeans, which might
arm
Pale cowards for the fray.
Touched by his hand
The simple sweetness, and the homely charm
Of
our green garden-land
Take on a witchery as of Arden’s
glade,
Or verdant Vallombrosa’s leafy shade.
The fragrant fruitfulness of wood and
wold,
Of flowery upland, and of
orchard-lawn,
Lit by the lingering evening’s softened
gold,
Or flushed with rose-hued
radiance of the dawn;
Bird-music beautiful; the robin’s
trill,
Or the rook’s drowsy
clangour; flats that run
From sky to sky, dusk woods that drape
the hill,
Still
lakes that draw the sun;
All, all are mirror’d in his verse,
and there
Familiar beauties shine most strangely
fair.