Israel Potter eBook

This eBook from the Gutenberg Project consists of approximately 239 pages of information about Israel Potter.
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Israel Potter eBook

This eBook from the Gutenberg Project consists of approximately 239 pages of information about Israel Potter.

It was late on a Monday morning, in November—­a Blue Monday—­a Fifth of November—­Guy Fawkes’ Day!—­very blue, foggy, doleful and gunpowdery, indeed, as shortly will be seen, that Israel found himself wedged in among the greatest everyday crowd which grimy London presents to the curious stranger:  that hereditary crowd—­gulf-stream of humanity—­which, for continuous centuries, has never ceased pouring, like an endless shoal of herring, over London Bridge.

At the period here written of, the bridge, specifically known by that name, was a singular and sombre pile, built by a cowled monk—­Peter of Colechurch—­some five hundred years before.  Its arches had long been crowded at the sides with strange old rookeries of disproportioned and toppling height, converting the bridge at once into the most densely occupied ward and most jammed thoroughfare of the town, while, as the skulls of bullocks are hung out for signs to the gateways of shambles, so the withered heads and smoked quarters of traitors, stuck on pikes, long crowned the Southwark entrance.

Though these rookeries, with their grisly heraldry, had been pulled down some twenty years prior to the present visit, still enough of grotesque and antiquity clung to the structure at large to render it the most striking of objects, especially to one like our hero, born in a virgin clime, where the only antiquities are the forever youthful heavens and the earth.

On his route from Brentford to Paris, Israel had passed through the capital, but only as a courier; so that now, for the first time, he had time to linger, and loiter, and lounge—­slowly absorb what he saw—­meditate himself into boundless amazement.  For forty years he never recovered from that surprise—­never, till dead, had done with his wondering.

Hung in long, sepulchral arches of stone, the black, besmoked bridge seemed a huge scarf of crape, festooning the river across.  Similar funeral festoons spanned it to the west, while eastward, towards the sea, tiers and tiers of jetty colliers lay moored, side by side, fleets of black swans.

The Thames, which far away, among the green fields of Berks, ran clear as a brook, here, polluted by continual vicinity to man, curdled on between rotten wharves, one murky sheet of sewerage.  Fretted by the ill-built piers, awhile it crested and hissed, then shot balefully through the Erebus arches, desperate as the lost souls of the harlots, who, every night, took the same plunge.  Meantime, here and there, like awaiting hearses, the coal-scows drifted along, poled broadside, pell-mell to the current.

And as that tide in the water swept all craft on, so a like tide seemed hurrying all men, all horses, all vehicles on the land.  As ant-hills, the bridge arches crawled with processions of carts, coaches, drays, every sort of wheeled, rumbling thing, the noses of the horses behind touching the backs of the vehicles in advance, all bespattered with ebon mud—­ebon mud that stuck like Jews’ pitch.  At times the mass, receiving some mysterious impulse far in the rear, away among the coiled thoroughfares out of sight, would, start forward with a spasmodic surge.  It seemed as if some squadron of centaurs, on the thither side of Phlegethon, with charge on charge, was driving tormented humanity, with all its chattels, across.

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Israel Potter from Project Gutenberg. Public domain.