Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).

Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).
principles.  The struggle is a social struggle, played out within the precincts of the Commune, for the supremacy of one or the other moiety of the whole people.  A city does not pronounce itself either Guelf or Ghibelline till half the burghers have been exiled.  The victorious party organizes the government in its own interest, establishes itself in a Palazzo apart from the Commune, where it develops its machinery at home and abroad, and strengthens its finance by forced contributions and confiscations.[1] The exiles make common cause with members of their own faction in an adverse burgh; and thus, by the diplomacy of Guelfs and Ghibellines, the most distant centers are drawn into the network of a common dualism.  In this way we are justified in saying that Italy achieved her national consciousness through strife and conflict; for the Communes ceased to be isolated, cemented by temporary leagues, or engaged in merely local conflicts.  They were brought together and connected by the sympathies and antipathies of an antagonism which embraced and dominated the municipalities, set Republics and Regno on equal footing, and merged the titular leaders of the struggle, Pope and Emperor, in the uncontrollable tumult.  The issue was no vulgar one; no merely egotistic interests were at stake.  Guelfs and Ghibellines alike interrogated the oracle, with perfect will to obey its inspiration for the common good; but they read the utterances of the Pythia in adverse senses.  The Ghibelline heard Italy calling upon him to build a citadel that should be guarded by the lance and shield of chivalry, where the hierarchies of feudalism, ranged beneath the dais of the Empire, might dispense culture and civil order in due measure to the people.  The Guelf believed that she was bidding him to multiply arts and guilds within the burgh, beneath the mantle of the Pope, who stood for Christ, the preacher of equality and peace for all mankind, in order that the beehive of industry should in course of time evolve a civil order and a culture representative of its own freely acting forces.

    [1] It is enough to refer to the importance of the Parte Guelfa in
    the history of Florence.

During the stress and storm of the fierce warfare carried on by Guelfs and Ghibellines, the Podesta fell into the second rank.  He had been created to meet an emergency; but now the discord was too vehement for arbitration.  A new functionary appears, with the title of Captain of the People.  Chosen when one or other of the factions gains supreme power in the burgh, he represents the victorious party, takes the lead in proscribing their opponents, and ratifies on his responsibility the changes introduced into the constitution.  The old magistracies and councils, meanwhile, are not abrogated.  The Consiglio del Popolo, with the Capitano at its head, takes the lead; and a new member, called the Consiglio della Parte, is found beside them, watchful to maintain the policy

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Renaissance in Italy, Volume 1 (of 7) from Project Gutenberg. Public domain.