period of Frankish rule about one third of the soil
of Italy had been yielded to the Church, which had
the right of freeing its vassals from military service;
and since the ecclesiastical sees were founded upon
ancient sites of Roman civilization, without regard
to the military centers of the barbarian kingdoms,
the new privileges of the Bishops accrued to the benefit
of the indigenous population. Milan, for example,
down-trodden by Pavia, still remained the major See
of Lombardy. Aquileia, though a desert, had her
patriarch, while Cividale, established as a fortress
to coerce the neighboring Roman towns, was ecclesiastically
but a village. At this epoch a third power emerged
in Italy. Berengar had given the cities permission
to inclose themselves with walls in order to repel
the invasions of the Huns.[1] Otho respected their
right of self-defense, and from the date of his coronation
the history of the free burghs begins in Italy.
It is at first closely connected with the changes
wrought by the extinction of the kingdom of Pavia,
by the exaltation of the clergy, and by the dislocation
of the previous system of feud-holding, which followed
upon Otho’s determination to remodel the country
in the interest of the German Empire. The Regno
was abolished. The ancient landmarks of nobility
were altered and confused. The cities under their
Bishops assumed a novel character of independence.
Those of Roman origin, being ecclesiastical centers,
had a distant advantage over the more recent foundations
of the Lombard and the Frankish monarchs. The
Italic population everywhere emerged and displayed
a vitality that had been crushed and overlaid by centuries
of invasion and military oppression.
[1] It is worthy of notice that to this
date belongs the war-chant of the Modenese sentinels,
with its allusions to Troy and Hector, which is
recognized as the earliest specimen of the Italian
hendecasyllabic meter.
The burghs at this epoch may be regarded as luminous
points in the dense darkness of feudal aristocracy.[1]
Gathering round their Cathedral as a center, the towns
inclose their dwellings with bastions, from which they
gaze upon a country bristling with castles, occupied
by serfs, and lorded over by the hierarchical nobility.
Within the city the Bishop and the Count hold equal
sway; but the Bishop has upon his side the sympathies
and passions of the burghers. The first effort
of the towns is to expel the Count from their midst.
Some accident of misrule infuriates the citizens.
They fly to arms and are supported by the Bishop.
The Count has to retire to the open country, where
he strengthens himself in his castle.[2] Then the
Bishop remains victor in the town, and forms a government
of rich and noble burghers, who control with him the
fortunes of the new-born state. At this crisis
we begin to hear for the first time a word that has
been much misunderstood. The Popolo appears
upon the scene. Interpreting the past by the present,